A Stranger In His Own Country

BROTHERS AT WAR is an intimate portrait of an American family during a turbulent time.  Jake Rademacher sets out to understand the experience, sacrifice, and motivation of his two brothers serving in Iraq. The film follows Jake’s exploits as he risks everything—including his life—to tell his brothers’ story.

A powerful and poignant film in which families and friends of those who have died fighting in Afghanistan and Iraq talk openly about their loved ones and their grief. Epic in scale and spanning seven years of war, this landmark three-hour film gives a rare insight into the personal impact and legacy of this loss.

CHARBON depicts how Europe was built on fossil fuels over the past 100 years. And how it was torn apart by wars that were the result of these same fossil fuels. During 3 trips to Ukraine, Italy and Iraq, filmmaker Manu Riche explains how he and his French-German family are inseparably connected to the fate of the Iraqi filmmaker and refugee Hayder Helo.

This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.

A former U.S. Air Force air tanker navigator, Lt. Col. Ken Murray’s career takes us from the horrific accident that killed 70 people at an airshow demonstration to Operation Just Cause in Panama and to the Iraq War. Through it all, we experience air operations, post-deployment divorce, a new career as a famed sports photographer and new loves.

"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.

Three incredible stories of women who risked everything to tell the truth. Their stories became worldwide scandals and took a personal toll on each of their lives

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

The award-winning filmmaker Peter Lilienthal is dedicated to this extremely poignant documentary of U.S. military policy and the living conditions of former resistance fighters in Latin America.

Morgan Spurlock tours the Middle East to discuss the war on terror with Arabic people.

The documentary is a five country-based sequences featuring stories about conflict, migration and the experience of exile; Tibetan women refugees in Dharamshala, India, Syrian refugee family in Tunisia, evicted indigenous women in the Phlippines; Rohingya women in Haryana and Delhi, and Syrian women refugees in Canada.

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Free Fish is a short documentary filmed over the course of a year in Gaza, following two brothers — Abu Nagham and Ahmad — separated by war yet connected by the sea. Displaced from their home, Abu Nagham now lives in a tent in the south, fishing with his young nephew Rami, who lost his twin brother. Ahmad remains in the north, fishing amid ruins and occupation. Once a source of livelihood and freedom, the sea has become a battleground — heavily restricted, constantly watched, and always dangerous.

Seven political activists from Israel come together in a theater in Tel Aviv and read from the transcripts of government meetings dating back to 1948, which had been classified until recently.

About trauma, resilience and post-traumatic growth in the medics who served with Australia's special forces in Afghanistan. From losing mates in the battlefield to treating horrifically injured Afghan kids in remote surgical theatres.

In the mid-1950s, lured by false promises of a better life, Inuit families were displaced by the Canadian government and left to their own devices in the Far North. In this icy desert realm, Martha Flaherty and her family lived through one of Canadian history’s most sombre and little-known episodes.

Amidst the urban transformation driven by progress, bulldozers dismantle 'illegal' settlements, leaving countless lives shattered. In the aftermath of such upheaval, one basti, sacrificed to conceal poverty during the G20 summit, and another basti, abandoned by authorities without alternative housing, illustrate the stark realities of displacement. The film delves into the daily struggles of individuals who persist in the rubble of their former homes.

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.