A collection of haunted videos that are said to have been suppressed so that no one could see them, in order to bring death to those involved. Contains terrifying footage such as "The Room You Don't Want to Stay", in which a TV show finds itself in an unexpected situation due to a psychic experiment, and "The Creeper", in which a mysterious phenomenon attacks a house in a remote area.
A contrast between two kinds of attitudes to gay liberation in Adelaide.
Experimental short film by Barbara Sykes
In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?
365 jours
A public service announcement condemning the ominous obstacle of social parasitism and delinquency amongst wayward youth unwilling to contribute to Romania’s socialist advancement.
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
In Florida, parents can hire Wrinkles the Clown to scare their misbehaving children.
Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.
“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).
When Shakespeare Must Die, a Thai film adaptation of Macbeth is banned by the Thai government as a threat to national security, the film's producer treks through the corridors of power to un-ban his Shakespearean horror movie--from the Cultural ministry to the Senate and the National Human Rights Commission, all the way to the Administrative Court where he is suing the government for abuse of power. Wherever he went, amidst political upheaval, his director followed with a camera. The resulting reality cinema is the living story of a struggle for justice and human dignity, for freedom of expression, which Thai filmmakers do not have. A dark cinematic record of democracy in action, in all its farcical, obscene and heartbreaking details.
Le crash
Yuxtaposición de recuerdos
Rua de Santa Catarina, a street that was formerly home to dozens of local businesses and hundreds of Porto residents, now sees a crowd of tourists attracted by the cheap, disposable amenities that are popping up everywhere at once. Gentrification has decontextualized Portuguese culture, rendering the landscape uncanny. The Basin Woman, a symbol of the female workers of the historic Bolhão Market, is chased down by seagulls in the midst of this transcendent chaos.
Days slip away in a former baptist church haunted by its past
Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.
Experimental short film that explores the rise and decline of the Soviet Union, from the revolutionary spark of 1917 to the challenges and sacrifices endured during World War II, until its dissolution in 1991.
Lugar de Nadie
Seoul, 1996. Wastewater from developed film reels is dumped into the sewers. From this toxic discharge, a monster awakens, carrying the memories of countless movies imprinted on the film reels. Burdened by a vanished past, the monster wanders the city.
o céu diante dos meus olhos nunca é cinza