Barçawash

Gorgona, a remote Colombian island, has a dark secret. It’s a natural fortress, surrounded by shark-infested seas, blanketed in impenetrable jungle and teaming with deadly snakes. For that reason it was chosen by the Colombian government as the site of a high security prison, Colombia’s own Alcatraz.

Made from a reconstruction of the memories of his uncle's empty apartment, this film transports us to a nephew’s reflections on absence and the regrets of his vague memories.

In her search for job opportunities, Marley, a Sitionuevera mother, moves to Barranquilla, leaving her children in the care of her mother, Claudia in the municipality of Sitionuevo. As the community embraces traditional life, Marley yearns for a different future, triggering a generational conflict between deep roots and aspirations for change, but ultimately being a story of the power of love.

A sister relives her brother’s disappearance on the Colombia–Venezuela border. Her voice exposes an absence that doesn’t fade—one that cuts deep and shadows every day for her and her mother, a memory that refuses to die.

The true story of the rise of a Japanese businessman from Los Angeles named Eishy Hayata from an Airline engineer into the legend of the Emerald world -- the Emerald Cowboy

The story of legendary Colombian actor Hernando "El Culebro" Casanova, told by his youngest son Nicolás Casanova, featuring unseen archival footage and unheard tracks.

Life is about choice. What we eat, what we read, who we elect; every day we make choices that determine how we want to live. But what if these choices are just an illusion? In an era where regulations and red tape rule every industry, where lobby groups and big businesses wield more influence than ever before, our daily choices have become increasingly limited. And with all our options so deliberately handpicked, are we really making a choice at all? Freedom From Choice examines the current state of life and personal choice today. Experts from many different fields offer a frank and startling look at the hidden limitations in our daily lives. Focusing on key areas such as food, medicine, finance, and media, Freedom From Choice provides viewers with a glimpse at the myriad of ways their lives are being dictated and tells us who stands to gain.

Cuidado de una Orquidea

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

In 1998, the President of Colombia dared to demilitarise a zone to carry out peace negotiations with the FARC-EP guerrilla group, but chaos erupted. A pivotal 2000 attack shifted the tide. Crafted solely from news archives, this film presents the atrocious event that changed the country's destiny.

The documentary Sin Telón celebrates the national artistic values of Teatro La Candelaria, recognized both nationally and internationally as one of the leading Latin American experimental theater groups. The film highlights the extensive career of Santiago García while also portraying the everyday life and unique working methods of this dedicated ensemble of artists from Teatro La Candelaria.

A Hezbollah suicide bomber breaks silence to reveal the inner workings of the organization and his involvement in a narcotrafficking alliance with the FARC. Discover the hidden agendas between Iran, Latin American governments and organized crime.

How did peacocks, originally from India, end up on an island in Berlin in the 19th century, and hippopotamuses, a century later, on the banks of a river in Colombia? Their lives there appear to be “happy and free”. With rapturous imagery, Elkin Calderòn Guevara and Johannes Förster’s decolonial fable turns them into wild icons, bearing witness to the whims of the powerful.

Tells the story of the famous Millonarios, one of the most awarded football teams in Colombia, which, as it was stated by the press, rivals and football leagues, between 1949 and 1953, it was the best team in the world. The documentary film, which some might say, one of the most important sports film pieces in Colombia, involves the stories of fans, members, ex-players, managers, chairmen and great journalists from the world of football, telling how this team revolutionized and changed the history of Colombian football forever.

Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures

Warime is a traditional ceremony that serves as a way for the community to connect with the spiritual world and seek guidance from their ancestors. During the ritual, participants gather around a sacred fire and perform dances, songs, and chants to invoke the spirits. Offerings such as food, drinks, and tobacco are presented to the spirits as a sign of respect and gratitude. Through Warime, the Wojtüja people believe they can communicate with their ancestors and receive blessings and protection for the community. It is a deeply spiritual and meaningful ceremony that highlights the strong connection between the Wojtüja people and the natural world. Join us as we witness the beauty and significance of Warime and gain a deeper understanding of the rich cultural traditions of the indigenous peoples of the Venezuelan Amazon.

Documentary about the last 10 speakers of the Mopwoi language, in the Venezuelan Amazon forest.

With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.

Mi pesadilla fue que me mataba la guerrilla

Colombie : la paix confisquée - Paroles d'otages