Cimarronas. La lluita afrofeminista a Colòmbia

La Salsa Vive is a vibrant cinematic exploration of Afro-Cuban music's history, tracing its roots from New York's lively streets to Cali, Colombia, now the global salsa capital.

Naturalist, Alex Valdez, and a team of young documentary filmmakers will take us on an adventure to discover an unknown ecological sanctuary deep in the jungles of Colombia, where an anonymous conservationist, who goes simply by the name Jorge, is replanting a rain forest from a deforested piece of land and creating a home for a variety of endangered animals. This film is the first step in our mission to showcase the hundreds of unknown conservationists around the globe and inspire a whole generation to believe in the power of one.

Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures

The true story of the rise of a Japanese businessman from Los Angeles named Eishy Hayata from an Airline engineer into the legend of the Emerald world -- the Emerald Cowboy

Copa Libertadores, 1989. A true story about football, corruption and the power of Pablo Escobar and his cartel, told by its protagonists: five referees who resisted the dramatic weight of an era.

A stunning and intimate portrait of the Arhuaco indigenous community in Colombia. In 1990, in a celebrated BBC documentary, the Arhuaco made contact with the outside world to warn industrialized societies of the potentially catastrophic future facing the planet if we don’t change our ways. Now, three decades later, with the advances of audio/visual technology, we go back to the Snowy Peaks of Sierra Nevada de Santa Maria to illuminate their ethos against the backdrop of an increasingly fragile world.

The anecdotes lived with Pimpi conclude in a tragic experience for his family. The story takes place in a small town in the middle of the Colombian Pacific jungle. Past and present mix to form a story where the town and its inhabitants are witnesses of the struggle of black people.

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

After a deadly plane crash strands four young siblings deep within the Colombian rainforest, a dramatic rescue mission unfolds, uniting Indigenous trackers and the military in a race against time. For the first time ever, this documentay offers the exclusive account of this incredible true story directly from the children themselves and the rescuers who scoured the Amazon rainforest for a grueling 40 days and nights to find them.

The "Falsos Positivos" scandal that exploded on October 2008 revealed how and why ranks of the Colombian Army started to kill innocent people. Lured by money prizes given by the President Uribe's policy called "Seguridad Democratica", the Colombian Army dressed the bodies in military fatigues to claim the rewards for the fight against the FARC guerrilla. "Falsos Positivos" follows the trip of two families to retrieve the rests of their beloved, along with shocking interviews to activists, a former General, political analysts and witnesses of this huge scandal.

The story of legendary Colombian actor Hernando "El Culebro" Casanova, told by his youngest son Nicolás Casanova, featuring unseen archival footage and unheard tracks.

The documentary Sin Telón celebrates the national artistic values of Teatro La Candelaria, recognized both nationally and internationally as one of the leading Latin American experimental theater groups. The film highlights the extensive career of Santiago García while also portraying the everyday life and unique working methods of this dedicated ensemble of artists from Teatro La Candelaria.

Construyamos una escuela

Mi pesadilla fue que me mataba la guerrilla

This documentary unravels the surprising history that links Barranquilla with France, from the arrival of its first migrants to the palpable influence they left in the gastronomy, fashion and elegant urban landscape marked by Art Deco. Through his encounters with experts and witnesses, Julian explores the French legacy in the delicate art of stained glass and in the foundations of local education, culminating in the vibrant presence of institutions such as the Alliance Française, demonstrating that this historical connection is still alive and enriching Barranquilla's present.

With the VHS images of his childhood, Miguel tells Fábio a particular story of his experience as a Colombian child and of the first manifestations of Satan in his life.

Pueblos de Arrecife

Functions without theaters, murals without walls, clothes without fabrics and students without schools says the necessary about the state abandonment and but also talent and creativity of Colombians, which it has nothing to lose. The documentary tells the story of the beginnings and resilience of several artist from Barranquilla in different disciplines in continuing to maintain and diversify the living culture, that remain to exist.

Lengua de diamante submerges into the past, present, and future life of Elsa Riveros, Colombia’s First Lady of Rock. Long after her iconic career as a fierce 80s rock singer, Elsa now seeks to reinvent herself as a political painter in northern Virginia, where she raises her son.

1982 is not a year, it is a number. It is the number of massacres that occurred in Colombia. Using a Hollywood film from 1919 the film creates a portrait of distant and yet persistent individuals, an observation of the gesture that survives despite the blind light cast upon them by time, routine or indolence.