Piero Della Francesca's style

Spoliation nazie : Trois Chefs d'œuvre miraculés

A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.

A documentary that introduces FIT Hives, a student-run organization whose mission is to educate the FIT community about the importance of bees to the environment, the use of bee-derived resources in the industries related to the majors at FIT and its goal to put a beehive on the roof. FIT Hives is a recipient of an FIT Innovation Grant which also supported the making of this documentary.

A musical, and also a reflection on watching, on trying to escape an anthropocentric gaze and also on watching itself in cinema. Featuring mares and horses: Triana, Víctor K, Bambi Sailor, San Special Solano, Buck Red Skin, Onkaia, Cool Boy, the donkey Agostino, the mule Guapa. And also Alfredo Lagos, Raül Refree, María Marín, Pepe Habichuela, Virgina García del Pino, María García Ruiz, Pilar Monsell, María Pérez Sanz.

The film approaches the work of the Greek artist Nikos Koniaris. The particular way in which the painter depicts human suffering is presented through a film - a hybrid of real recording and directed material. The grief, the sick body, is reflected in self portraits, portraits of dying strangers and paintings of dead models. The paintings, apart from his work, also express a different version of himself. All together contribute to the depiction of man as a "garment of pain".

Josef Mánes

Ludvík Kuba

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González

Wilhelm Hansen was a visionary businessman who lived in Denmark in the 19th century. He was one of the few collectors to take an interest in Impressionist painters at a time when they were attacked and denigrated. The film takes us to Hansen's summer house on the outskirts of Copenhagen and takes us on a tour of the extraordinary exhibition at the Royal Academy in London dedicated to his collection.

A'a, la Joconde de la Polynésie

Le Louvre : les 10 secrets du plus grand musée du monde

Through the eyes of twelve international artists "Traces of the soul" explores the world of contemporary calligraphy and why it is an increasingly relevant art form in this digital age. The film reveals how the art, philosophies, and life stories of these artists, whose diverse work is rooted in the ancient traditions of calligraphy, reflect and engage with the modern world.

Follows artist Edward Betts as he seeks a new design motif among familiar monoliths of stone. Shows how he develops his sketches into a cohesive design.

Spanish scientist Tomeo L'Amo bought a painting in 1989 that he believed to be an original Dalí. After 25 years of searching for the truth, an art expert in Paris changes his life.

Obraz

Hokusai, impressions du soleil levant

Le Trésor sacré d'Hitler

Parte - Teatro do Corpo

Explores Leni Riefenstahl's artistic legacy and her complex ties to the Nazi regime, juxtaposing her self-portrayal with evidence suggesting awareness of the regime's atrocities.

If something of import has taken place in our lifetimes, chances are that Steve McCurry has photographed it, from the wars in the Arab world to the 9/11 attacks. Denis Delestrac’s documentary on the photographer charts McCurry’s journey through a restless life spent on constant move, chronicling our times and living with the intense loneliness and trauma that came along with his work. Today, surrounded by a loving family, McCurry is finally home but never not in the pursuit of color.