Mahabharata : Part One

The film depicts the adolescent age of the Pandavas and Krishna and shows the events in the Mahabharata, focusing on the later chapters of Adi Parva and the first half of Sabha Parva.

It is an Epic story based on the book Virata Parva of Mahabharatha. After 12 years of Vanavasam, the Pandavas spend their 13th year of exile the Agnaadhavasam in an incognito state with disguised identities at the court of Virata. Follows how they end their exile & the marriage celebration of Uttara and Abhimanyu.

Bhishma is a 1962 Indian Telugu-language Hindu Epic film, based on the life of Bhishma from the epic Mahabharata.

Kannan Karunai is a 1971 remake Indian Tamil-language Hindu Epic film directed by N. T. Rama Rao.

In 2094, a ruthless dictator controls India with an iron fist. Trapped in a militarised zone, a group of revolutionaries must escape before the crushing weight of despair destroys them from within.

Set during the Pandavas’ exile in the Mahabharata, the story focuses on Draupadi living incognito as a maid-in-waiting named Sairandhari in King Virata’s palace. The arrogant Keechak becomes obsessed with her, prompting Bhima (disguised as a cook) to intervene and kill Keechak to protect her honor.

A retelling of Mahabharata through the perspectives of KARNA and DURYODHANA. The film uses dialogue and poetry written in Classical Telugu/ Grandhika Basha.

"Andha Yug"—literally 'Age of Blindness'—is an allegorical play written in the aftermath of the Partition of India by Shri Dharamvir Bharti. Rooted in the epic Mahabharata, this landmark 1989 Delhi performance was staged for the Nehru Shatabdi Samaroh Festival and has since been preserved by the Natya Shodh Sansthan, Kolkata (NSS). Set on the final day of the Kurukshetra war, the narrative chronicles the end of the Dvapara Yuga and the immediate descent into the dark Kali Yuga, triggered by Lord Krishna's demise. This five-act masterpiece explores the moral collapse, cycles of revenge, and psychological trauma of war. It depicts the pyrrhic reality of the Kali Yuga—the worst, shortest, and darkest of the four cosmic ages—in which recursive violence degrades the fabric of civilization, blinding individuals to reason as they are forced to reckon with the devastation's fallout.

In the year 2898 AD, around 6000 years after Kurukshetra war, Ashwatthama gears up for his final battle of redemption at the sign of hope in a dystopian world and Bhairava, a wisecracking and self-interested bounty hunter, tired of the perilous life becomes the hurdle in the process.

A masterclass in stage performance preserved on screen. Mohanlal strips away all cinematic artifice, relying entirely on his eyes, posture, and a voice dripping with heavy, inescapable fatalism to embody Karna on the eve of Kurukshetra.

An ex-con, his daughter and her two friends plan the elaborate heist of a nickel mine in Northern Ontario.

A singer whose companion hates whites falls for a white U.S. photographer in Sweden.

The story of a free-spirited girl who was born in the wrong place at the wrong time. In the 1920s, even the somewhat more tolerant people of the Netherlands (relative to the rest of Europe) did not easily suffer the open flouting of the rules of society. Cheerful and optimistic, Angela (Barbara Hershey) defied the conventions of her conservative Dutch family by traipsing about the countryside with her lover, living on what turned up each day. However, even for the sunniest of optimists such an idyll can have tragic consequences.

A husband-wife teaching team arrive on isolated Sachi Island. They try to start a school against the opposition of the islanders. To attract students, they organize athletic teams from the island children and promise that they will win the national competitions... a promise they may not be able to keep.

In this Canadian romance, Scott (David Selby) was so smitten by the looks of a pretty girl that he spends years looking for her. He keeps his searches a secret from his live-in lover, whom he stays with the entire while. When Scott actually meets the girl, he discovers that she has been similarly motivated, even though she is married and has had two children in the meantime. They share a romantic assignation and discover that the ideal figure they were each searching for is absent.

Set in the mid-1950s when Tangier was still an international zone, El Chergui presents the city on the eve of its independence, as Aïcha resorts to magical practices to try to prevent her husband from taking a second wife. Around her, a society of women creates its own form of active resistance even as the larger independence movement grows around it. Through his unique use of montage, Smihi creates arresting images that present a society torn by the contradictions of colonialism, religion, patriarchy, and resistance. (Block Cinema)

Lonely youth Shinji meets Hatsue, a pretty pearl diver, on the beach and the two fall in love. But Shinji has a rival for Hatsue's affections, Yasuo. Yasuo spreads unpleasant gossip about his rival, and Hatsue's father forbids her to see Shinji. But when the boy saves the passengers on a boat owned by Hatsue's father, his luck in love begins to change.

Fearful that the Russians would continue their lead in the space race and be the first to put a man on the moon, NASA felt an enormous pressure to push the Apollo Program forward as quickly as possible, though they knew that pushing too hard could lead to the ultimate disaster. This film recreates the tensions that were felt not only by the three astronauts, Armstrong, Aldrin and Collins, but also by their families and by the teams of technicians training to deal with anything that could go wrong.

A stylish, character driven drama that explores the life of a driven actor turned bartender whose world is coming apart as his career and personal life begin to crumble around him.