The Antwerp Zoo covers a fair extent of ground, and was already in 1910 generally considered as an important one. A large number of views of birds and animals were taken and hand coloured. In those days, the monkey house was in for much attention. People found that the various comic incidents added a touch of whimsicality.
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.
A silent succession of black-and-white photographs of the city of Montreal.
A display of flower bouquets, rotating to show the Kinemacolour process.
A woman is shown various wallpaper samples, in a short displaying the Kinemacolour process
Erich von Däniken - Geheimnisvolles Ägypten
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).
"Danse fantaisiste" (Gaumont #589) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "La Gigue" (Gaumont #590).
"Danse serpentine" (Gaumont #588) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse fantaisiste" (Gaumont #589) or "La Gigue" (Gaumont #590).
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Murcia, Spain, 2016. An eccentric and humorous journey, on the shoulders of ironic giants, in the search of the most enigmatic places of this Spanish region: considering different hypotheses, the possibility of the existence of pyramidal structures is investigated, crossing sometimes the border of the chimerical and exploring beyond the limits that were previously considered impassable.
Short documentary on the Antwerp Ford Motor Company plant.
Un día por Málaga