Dilema I: Burundanga boricua

This film is depicts early lesbian sexuality, using reenacted scenes from the experience of a 12-year old girl as the platform for a meditation on forbidden desire, transgression, and Lacanian psychoanalytic concepts of identity formation. Raw adolescent memories counterpoint staged scenes, exploring mechanisms of power and submission.

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.

A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.

Heartbeat

Fog has a curious effect on cinema. On the one hand, it precludes the production of those images that seem artificial, on account of their sharpness. On the other, the mist gives each frame a mysteriously narrative quality. The joy of watching the sea and the beach under a blanket of mist allows eluding the world of the quotidian, to suspect the beauty of the uncertain and unstable

An experimental film that lifts the veil on the world of African American drag racing.

An eight-hour contemplative epic, entirely starring sheep.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.

Skating is cool. Super 8 films too. Fuck-shit! That was dope! // "Super (8) Skate" is a Stop-Motion short, shot on Super 8 film to express the love of skating and filmmaking.

The last woman on Earth: Filmed inside Biosphere 2 in Arizona, Urth forms a cinematic meditation on ambitious experiments, constructed environments and visions of the future. The film considers what an endeavor such as Biosphere 2 might mean today and in the near future, in terms of humankind’s relationship with the natural world.

The reception ebbs and flows as the unfamiliar landscape whirls by the window of a plane or train or car. Communication is delayed, fragmented, interrupted. Memories of a distant country.

A documentary that reflects on the vision of 'progress' that governments cling to in times of climate change, focusing on the personal and collective experience lived in Puerto Rico after Hurricane Maria struck the island in 2017.

An experimental short from Oskar Fischinger

A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.

We Are Still Here is a student-made documentary from the University of Puerto Rico, Mayagüez campus (UPRM) about the lives and experiences of the Peñolanos from Barrio Rucio and adjacent communities who have resisted generations of adversities due to their geographical location and at the hands of the Puerto Rican government. Centered on resistance and collective care among communities, this inaugural documentary produced by the Oral History Lab at UPRM and funded by the National Endowment for the Humanities showcases how community work by projects like Aula en la Montaña and organizations like Impacto Juventud GC Inc. demonstrate that strength lies in union and that true healing occurs through mutual accompaniment between community and volunteers.

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.