Charles Price may have grown up with his father in the family shoe business in Northampton, central England, but he never thought that he would take his father's place. Charles has a chance encounter with the flamboyant drag queen cabaret singer Lola and everything changes.
Doktor Murkes gesammeltes Schweigen
A violent stop motion cabaret for the cynical and depraved. Guilt, alcoholic apathy and the inevitable, looming apocalypse threaten to push a young man to the brink.
A struggling female soprano finds work playing a male female impersonator, but it complicates her personal life.
Eric van Sauers: De Lief en Leed tour
Bas Birker: Op weg
Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.
A new show from the Ashton Brothers! Could it be any faster, more energetic, or more absurd? Definitely. In the circus and variety tradition, acts are passed down from father to son, and the Ashton family's treasure trove is still overflowing. An explosive cocktail of slapstick, magic, acrobatics, rock 'n' roll, and variety.
Fascinating Aïda are a three woman (Dillie Keane, Adele Anderson and Liza Pulman) cabaret act that have been performing for over 30 years. This show was recorded live at the Edinburgh Festival Fringe in 2016, in George Square Gardens.
Filmmaker, illustrator and musician Dame Darcy's weekly television collaboration with Blessed Elysium's Lisa Hammer aired on New York's Public Access from 1996-1999, presenting original drama and comedy in a German Expressionist style, utilizing New York underground personalities including Jennifer Nixon (aka Queen Itchie), Peter Moran, Bliss Blood, Banjo Pete, Miller Duvall, Secretary Jenny, Cynthia Mitchell, Patrick O'Clock (aka Patrick Hambrecht), Jasper McVain, Daisy Miller, Li'l Sweetie, and Countessa Cinorre, as well as celebrity guest stars Thurston Moore, Courtney Love and Tiny Tim.
Stage registration of the thirteenth show by the Flemish cabaret duo Kommil Foo. About man and his everyday tragedy. And that that man is a wolf to his fellow man...
Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'
Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.
A Parisian nightclub owner known for her performances of the can-can attracts the ire of a self-righteous judge. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her lawyer boyfriend.
A gang of robbers sowing unrest in the city are attempting dislodge the police for a crime kingpin; the band are composed of three women and a business magnate.
Follows Diogenes as he goes about his day as a police officer. He's prone to do things the right way, surrounded by a pretty much corrupt & citizen distant police department, & always resolves his duties with a personal method.
The FDP is gone - the financial crisis is still here. Fortress Europe is being built and the AFD would like to be in charge. The funded pension scheme is becoming a poverty trap for the average earner, so the only thing that helps is new enemy stereotypes to keep the democratically fooled at the bar where they are allowed to dance. Whoever controls the media rules the media democracy. The problems are not new, but they have evolved just as much as the program. Volker Pispers constantly updates his cabaret program and thus reflects the state of the republic: the ever new in the eternally same. Because while the media circus with its speech bubble jugglers makes us believe that something is constantly happening, virtually nothing is happening when it comes to the fundamental problems. You look in vain for respect in Pispers' programs. Blunt, crass and direct, he oscillates between bitterly angry and charmingly witty when he thinks the absurdities of the world through to the end.
A peaceful, frightened little man is mistakenly identified as "The Dragon", a notorious criminal at large. He briefly and reluctantly rules the underworld until they realize their mistake.
Ronald Goededmondt's third stand-up comedy show is about the confusion in the world and taking revenge on it. From big issues to small dilemmas can be read on his face. A man who does more than any other comedian and his performance becomes a social thing.
More important than the Kastaars, sharper than Viktor Verhulst's jawline and louder than Fien Germijns. The First Avenger of media criticism finally comes back out of the ice to shout from behind his tub. It has been a scary world without Xander De Rycke. Flemish films are successful again, VRT's weatherman has retired and Niels Destadsbader has been replaced by someone who calls himself Meteor. Not to mention the channel that was hijacked by Gert and James, that singing competition in carnival costumes and Tom Waes complaining about history with our tax money on a potato patch. But not to worry, your best friend is back with the only year-end conference that matters.