Kubasa in a Glass: The Fetishised Winnipeg TV Commercial 1976-1992

A self-narrated portrait of a Polish immigrant in Winnipeg whose unglamorous job keeping streetcar switches working reveals dignity, resilience, and pride in everyday labor.

In post-World War I Winnipeg, a Ukrainian immigrant and a Jewish woman get caught up in a labour strike.

Randy has PTSD from the Army. After extreme treatment he is released into the world to make it on his own. He goes to Winnipeg to race his snowmobile cross country to St. Paul.

From challah to immigration to the wandering Jew, Ma Nishma Manitoba is a mid-length documentary that explores Manitoban Jewish stories of identity and history. Filmmakers Johanna and Sara put their own experiences in local context by chatting with several Jewish Manitobans, including a rabbi, politician, artist, Israeli immigrant, and others. Archival materials, illustrations, and stop animations connect history with present-day opinions and stories, as Sara and Johanna explore what being Jewish in Manitoba means to them and others.

Two men driving home from work miraculously hit every green light.

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.

When he takes his girlfriend to a seedy abortion clinic in the back room of a combination hair salon / bordello, Guy Maddin meets the madam’s daughter and falls in love. But she won’t let any man touch her until her father’s murder has been avenged.

Join a grassroots collective of volunteers as they search Winnipeg’s Red River and its banks for clues to find out what happened to their missing family and friends. The documentary demonstrates the devastating experience of searching for a loved one who didn't come home with profundity and humanity.

The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.

Winnipeg Film Group. Deep in the winter of 1986. Guy Maddin is in the process of filming Tales from the Gimli Hospital and needs to rub a dead seagull on somebody's chest. Immediately, Dave Barber agrees, submitting his bare flesh to Maddin's road kill and to film history. (This film was commissioned by the Winnipeg Film Group's Cinematheque for its 25th anniversary, Silverscope)

Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.

In Depression-era Winnipeg, a legless beer baroness hosts a contest for the saddest music in the world, offering a grand prize of $25,000.

Follow Ruby Chopstix, Canada’s first drag artist-in-residence, as they navigate the complexity of being an underrepresented drag performer while creating a special showcase to create space for other queer BIPOC performers.

A few days before she retires, devoted Winnipeg school principal Denise has spent her entire life taking care of everyone else. She is the glue holding together a crumbling ecosystem of neediness: a well-meaning but chronically disappointing husband, a school full of little crises, a self-absorbed daughter and unruly grandkids who treat her like a built-in safety net, and an aging father whose enthusiastic nudism keeps getting him expelled from one seniors’ home after another. When one indignity too many pushes her past her breaking point, Denise makes a radical decision.

An idyllic childhood with her mooshum and kookum, or grandparents, in her community of Peguis First Nation dissipates as Aberdeen’s hard-partying and absentee parents distances her from that haven. Now an adult, sleeping on public benches, Winnipeg-based Aberdeen is in survival mode. The last remaining stable parts of her life begin slipping away — her reliable brother Boyd is ill and gives up Aberdeen’s grandkids to the foster care system. Then she loses her ID.

Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.

Located in Winnipeg’s downtown core, Gordon Bell High School is probably the most culturally varied school in the city. In an effort to build bridges of friendship and belonging across cultures and histories, teacher Marc Kuly initiated an after-school storytelling project. The catalyst for this cross-cultural interaction was the students’ reading of A Long Way Gone by Ishmael Beah, a memoir of Beah’s horrific time as a child soldier in Sierra Leone’s civil war. These voluntary after-school meetings take dramatic turns and reach their climax when Ishmael Beah and professional storyteller Laura Simms travel from New York to work with them. With their help the students learn to listen to each other and find the commonality that so long eluded them.

A multitude of reflections on the Francophone community and Canadian identity ebb and flow through a Winnipeg that is searching for its identity.

an engaging participatory documentary featuring two inspiring high school graduates starting in their industry. It showcases their journey of self-expression as they challenge and deconstruct stereotypes.

This previously unreleased, 35-minute documentary film that takes you deep into the bowels of Winnipeg's punk and hardcore underground circa the mid-2000s. "The Manitoba Connection" provides a rare, lightning-in-a-bottle snapshot of DIY subculture as it is on the Canadian Prairie, marked by geographical isolation, brutal winters, and a history of working-class politics.