Brigitte Kaandorp: Miss Kaandorp, Brigitte de Musical

A stand-up comedy set by the Dutch comedian Daniël Arends, recorded live in Toomler in January 2007.

In the show, Jochem talks about his love for nature. Jochem: 'If you're going to talk about something four hundred times, you have to choose something you really want to talk about. Jokes are fun, but I want to talk about things that interest me. My three big hobbies are fishing, theater, and birds. The book De Gorgels is also about nature. I've already incorporated my passion for biology into it, and now I want to show that on stage as well.

Dutch entertainer Claudia de Breij takes the stage for a wide-ranging New Year's Eve performance.

An absurdist theatre piece by Dutch comedy duo Rundfunk. A collection of original sketches and songs.

Jochem's decor consists of Trivial Pursuit pieces, each of which represents a dream. He talks about his school trip, his girlfriends, and family members, each of whom he gives an absurd characteristic. A recurring theme throughout his story is his cheerfulness and positivity. He calls this the Yee-Haa! feeling.

Najib Amhali: Freefight

Dutch Comedian Maarten is at it again for the 2013 Year Review - his last one.

Urbanus: Beter 10 Krisis In De Lucht Dan 1 In Ons Land

Registration of the third solo show by the Dutch comedian Hans Sibbel.

Paul de Leeuw: Ik Ben Rustig

Registration of the first theatre program by the Dutch comedian Ronald Goedemondt.

Ronald Goededmondt's third stand-up comedy show is about the confusion in the world and taking revenge on it. From big issues to small dilemmas can be read on his face. A man who does more than any other comedian and his performance becomes a social thing.

Registration of the theatre program by the Dutch comedian Herman Finkers. After 7 years of silence Herman Finkers returns back on stage to merge humor and seriousness and shows a disease can actually change a person.

Registration of the first theatre program by the Dutch comedian Theo Maassen.

Bert Visscher: Fijne Nuances

A wise man once said 'if it does not fit, you have to push a little harder, then it often fits!' Another wise man once said 'every year deserves a New Year's Eve performance, and I'm going to make that performance !!' You understand, the latter wise man was Dolf Jansen, widely recognized as record holder for New Year's Eve performances of the Netherlands forever. Has he achieved something in his life ... In 2011, Dolf played his own performance and in between still the New Year's Eve, in close cooperation with Pauw & Witteman. In 2012, Dolf will play in specially selected theaters ... .. (roffel) ... New Year's Eve 2012 Exclamation Mark. Passed through the finished year, finished and boned within ninety minutes and sometimes at high (!) Pace. From Elfstedentoch-not to the fall of the cabinet, and if not then surely all other great events. And Nick and Simon, of course. With a lot of jokes. And shreds of poetry. So wise is it then again ...!

The first solo performance of the Dutch comedian Freek de Jonge. This show asks the question how far a comedian will go to please the audience.

Hoe laat begint het schieten? Mensen vragen al snel, waarom die titel? Kijk. Ik ga in dit nieuwe programma de wereld weer een stukje beter maken. Dat geloof ik. Zoals de aanhangers van Transcendente Meditatie geloven dat ze uiteindelijk kunnen vliegen. Zoals Jan Peter Balkenende denkt dat hij een Christen is. Zoals astrologen geloven dat het moment waarop je geboren bent en de stand van de sterren onze levensloop beïnvloeden. Zo denk ik dat ik de wereld beter ga maken. In ieder geval voor mezelf, want: verbeter de wereld, begin bij jezelf. En als iedereen dat doet wordt het toch beter.

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

Jörgen Raymann: Slaaf of niet verslaafd