A promotional piece for the Disney film "Return to Oz", that also traces the history of the Oz books and films.
A look into how L. Frank Baum's classic novel was transformed into one of the most beloved films of all time including archival interviews, behind-the-scenes footage, and rare musical outtakes.
Narrated by Terence Stamp, this TV program documents the life and career of famed ballet dancer Rudolf Nureyev, through interviews with friends and colleagues and archive footage.
Behind the scenes in the making of “The Wizard of Oz on Ice”.
A prominent Russian ballet dancer and teacher Alexander Shiryaev had another talent hidden for almost a century. Archive materials that date back to 1906 reveal his bold experiments at stop-motion and paper animation.
RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
The film tells the story of the regular visits that the legendary Russian ballet dancer Rudolf Nureyev made to Turkey between 1980 and 1990.
The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.
Alexis, a talented and proud student of the National Ballet School of Cuba, spends his life practicing chassé and entrechats with his girlfriend and dance partner Yelenia. However, when his family moves to Florida to be reunited with his sister, he must adjust his expectations and dreams to a radically new environment. Alexis, facing rejection and homesick for his native Cuba, feels lost and alone. He must find his way in the world of American ballet while remaining faithful to his roots.
This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.
A journey through the preparation and hardworking process of ballet dancers and musicians for a unique spectacle in Tokio that Béjart choreographed with the Ninth symphony of Beethoven. Béjart ballet dances with Tokio ballet and the Philharmonic Orchestra of Israel. A marvellous combination of dancers movements and expression of different feelings along the four movements of the symphony with absolute elegance and strength.
Choreographed by Frederick Ashton in honor of William Shakespeare's 400th birthday, this magical production -- based on the Bard's play "A Midsummer Night's Dream" -- features Felix Mendelssohn's famed score and sublime sets that add to the charm. Ethan Stiefel delivers an impressive performance as the lordly Oberon, Alessandra Ferri shines as fairy queen Titania, and Herman Cornejo is pitch-perfect as the impish Puck.
Discover Les Ballets Trockadero de Monte Carlo (The Trocks), an all-male company that for 45 years has offered audiences their passion for ballet classics mixed with exuberant comedy. With every step they poke fun at their strictly gendered art form.
Poetic documentary about works of several artists from ideas to “births” of works of art.
This recording of all six cantatas from the Salle Henry Le Bœuf in the Palais des Beaux-Arts in Brussels, Belgium, in December 2012 features internationally renowned Bach expert Philippe Herreweghe and the Collegium Vocale Gent.
Giulia Tonelli, principal dancer at the Zurich Opera House, returns from maternity leave. She has to fight to find her place and a new balance, between the competitive and extremely demanding world of an elite ballet company and her new family life.
It is well known in economics academia that The Wonderful Wizard of Oz written by L. Frank Baum in 1900 is loaded with powerful symbols of monetary reform which were the core of the Populist movement and the 1896 and 1900 president bid of Democrat William Jennings Bryan. The yellow brick road (gold standard), the emerald city of Oz (greenback money), even Dorothy’s silver slippers (changed to ruby slippers for the movie version) were the symbol of Baum’s and Bryan’s belief that adding silver coinage to gold would provide much needed money to a depression-strapped, 1890s America. We believe Baum’s symbols represent the only solution to relieve the growing economic hardship here in America – and the rest of the world. Practically speaking, 2009 marks the 70th anniversary of the 1939 MGM release of the The Wizard of Oz movie, so interest will be very high. Even Oz websites put up by kids get millions of hits.
Three days leading up to Tiler Peck's direction and performance of a ballet exhibition in Los Angeles.