Big Big Big

France, 1974. The erotic film Emmanuelle, directed by Just Jaeckin, breaks all records for cinema attendance: the story of the creation of a sensual epic that marked a turning point in the struggle for sexual emancipation.

It is normal for 15-year-old Linn to have two mothers. But when she finds out that there are still numerous siblings, she realizes that she is part of an extraordinary extended family. Her father Eike not only had an appointment with Linn's mothers to donate sperm, Petra and Anny also have three children with him. A film crew followed this rainbow family for twelve years.

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A retrospective look at the global impact of Alien, the science fiction and horror masterpiece directed by British filmmaker Ridley Scott in 1979, exploring the origins of its unique aesthetic and the audacity of its screenplay.

In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.

Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

The film is an intimate record of a difficult period in the life of the creators. The main character, eight months pregnant, was diagnosed with aggressive breast cancer. The dramatic event disrupted the joy associated with the birth of her child.

An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.

The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.

Damien Samedi is 43 years old. When he was a child in his Belgian village on the banks of the river Meuse, they called him the “Petit Samedi”. To his mother, Ysma, Damien is still her child, the one she never abandoned when he got caught up in drugs. A son who sought to protect his mother despite it all, a man attempting to liberate himself from his addictions and faces his past to get through.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

A portrait of the actress and singer Pepa Flores, an incarnation of the recent history of Spain, who, in just twenty-five years of intense career, went from being Marisol, child prodigy of the Franco dictatorship, to being one of the first communist militants, icon of the Transition; an idol of the masses who became a discreet person after having claimed her right to remain silent.

The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.

Deep Throat, a pornographic film directed by Gerard Damiano, a film-loving hairdresser, and starring Linda Lovelace, a shy girl manipulated by a controlling husband, was released in 1972 and divided audiences, who began to talk openly about sex, desire and female pleasure; but also about violence and abuse; and about pornography, until then an almost clandestine industry, as a revolutionary cultural phenomenon.

The legendary British-American actress Olivia de Havilland (1916-2020), who conquered Hollywood in the thirties, challenged the film industry when, in 1943, she took on the all-powerful producer Jack Warner in court, forever changing the ruthless working conditions that restricted the essential rights and freedom of artists.

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

Omnibus: François Truffaut