How It Feels

Women talk about the circumstances that drove them to seek illegal abortions and the often traumatic result. Interwoven with historical photographs and newsreel footage, the stories expose how the reality of women's lives were counterposed to what was socially and morally expected of them.

Set in a speakeasy in Atlanta, “Twenty” is a feature documentary about fifteen young people making it through 2020. The film is an observational time capsule that lays bare the raw reflections of a group of people surviving a year that will be seared into our generational memory.

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

At a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman's life. In 2007, Dr. Cerrato’s daily routine took a detour. The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake. As Carla and her colleagues navigate this dangerous dilemma, the impact of this law emerges—illuminating the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. The emotional core of the story—the experiences and situations of the young women and girls who are seeking care—illustrate the ethical implications of one doctor's response.

The mother and daughter face the question of whether to keep the pregnancy or terminate it. Both are under pressure from relatives, friends, and doctors. Both are going through a difficult decision-making process. Each episode of the artistic part shows the life circumstances and the path that a woman in a crisis situation goes through. In documentary inserts, representatives of various professions (psychologists, lawyers, gynecologists, clergymen) tell how they face the problem of abortion in their lives.

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.

Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight.

Millions have seen the photograph, and no one who has seen it will ever forget it. A naked woman, dead from a botched illegal abortion, lying on a motel room floor. The picture appeared in Ms. Magazine in April 1973, and quickly became a symbol for the abortion rights movement. LEONA'S SISTER GERRI tells the dramatic story of Gerri Santoro, a mother of two and the "real person" in the now famous photo. Should the media have used this image? What circumstances led to Gerri's tragic death? Powerfully addressing issues of reproductive rights and domestic violence, this video is a moving portrait of Gerri Santoro's life and society's response to her death.

Four people - Brittany, Hannah, Nick, and Ylonda - tell their stories about how access to abortion in their community helped them empower themselves to lead lives they want to live.

Intimate confessions, paired with experimental choreography outside a woman’s clinic in Memphis, offer a glimpse into post Roe v. Wade America.

Lieber Herr Doktor

Interviews from women involved in the 70's and 80's rock music industry. An examination of the people taking advantage of underage fans and calling for a "Me too" movement in the music world

"Clandestinas" is a documentary about the abortion situation in Brazil. Women share their experiences interrupting a pregnancy and actresses interpret that actual reports.

Join Marlin Maddoux, host of the nationally syndicated radio news talk program Point of View, for an investigation into the multi-million dollar a year baby parts trafficking industry, which is one of the most lucrative businesses in operation today. Yet most Americans are unaware of its existence. Many have heard about the controversy surrounding fetal tissue research but have no idea how the tissue is obtained. Today, some are claiming that cures for a number of devastating diseases, including Alzheimer's, Parkinson's, diabetes and AIDS, are just around the cornerand that fetal tissue is desperately needed for research. But is it really?

They were too old or too young, already had a complete family or weren’t planning to start one: the women in this documentary have a range of reasons for deciding to have an abortion after unintentionally becoming pregnant. In an era when access to safe, professional abortion services did exist in the Netherlands but had not yet been made legal, public opinion on this topic was intensively massaged by political parties. Hillie Molenaar shows what the discussion should be about: she reveals what abortion is, and what safe abortion services mean for the lives of women of varying ages and backgrounds.

Both cautionary tale and rallying cry, Shouting Down Midnight recounts how the Wendy Davis filibuster of 2013 galvanized a new generation of activists and reveals what is at stake for us all in the struggle for reproductive freedom.

A portrait of Norma McCorvey, the “Jane Roe” whose unwanted pregnancy led to the 1973 case that legalized abortion nationwide, Roe v. Wade. The documentary unravels the mysteries closely guarded by McCorvey throughout her life.

A young girl lands a paraglider in downtown Lima. As she moves through the city and along the beach, memories come flooding back. Recalling the time she spent accompanying two of her friends as they underwent clandestine abortions, she wonders what her presence meant to them, what her role as accompanist consisted of.

The pro-life movement has been around as long as Roe V Wade, who are they, what do they do? Are they effective? This documentary goes into the deep underpinnings of major national lobbyist groups to find out why after 46 years Babies Are Still Murdered Here?