72 Horas
Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?
Toymaker's Dream is a vibrant, high-energy theatrical presentation that retells the biblical narrative of creation, the fall of man, and redemption through the life and death of Jesus Christ. The story is presented as a fantasy allegory, portraying God as the "Toymaker," humanity as his beloved "toys" living in "Dreamland," and Satan as the "Dream Hater" who incites rebellion against the Toymaker.
A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.
Yuri, Lili and Matt get ready for a very special day. But their dreams go down the drain when they discover that the parents have changed their plans and are now going to the same summer camp together, with several children they have seen.
Kleiton & Kledir + Grupo Tholl - Par ou Impar (Ao Vivo)
In this video, Bob Larson shares his vision for reclaiming America, and he tells the story of how God called him to this important ministry.
The friendship between Jorge Amado, Dorival Caymmi, and Carybé, artists who were largely responsible for creating an image of the culture of Bahia that persists to this day, and who believed that the strength of their work lay in documenting what they saw on the streets.
Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.
Cassiane - 25 Anos Com Muito Louvor
Ave Maria ou Mãe dos Sertanejos
In the summer of 2001 the Taliban strategically captured 24 Shelter Now International Aid hostages that captured the attention of the world for more than three months. With representatives from the United States, Australia, Germany and Afghanistan, the Taliban set out to create an insurance policy against the pending attacks of September 11th. What transpired through their story was an overwhelming journey of faith, grace and endurance. Based on the true story as told by the captives, Kabul 24 captures the gantlet of their 105 days in captivity and the cruel treatment of the Muslim co-workers at the hands of the Taliban who accused them of converting to Christianity. Revisit their journey from the grueling interrogation to their sham "trial" before the Taliban Supreme Court, to the dangers endured during the bombing of Kabul and a crushing sense that the world had abandoned them.
The Circle Square Gang learn important lessons about taking something that isn't theirs, and why it's wrong.
The story of Francisco, a very simple and poor man whose dream was to see his children become country music stars, and who made all the efforts to make it happen.
The film is an unprecedented and exclusive testimonial of Maria Bethânia from director and screenwriter Carlos Jardim, interspersed with rare footage of rehearsals and concerts by the singer throughout her 57-year career. Actress Fernanda Montenegro narrates five texts by authors such as Ferreira Gullar and Caio Fernando Abreu about Bethânia's importance on the Brazilian cultural scene.
In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.
Amidst Wyoming's rugged beauty, an experienced hunter confronts the challenges of tracking wild game and forges lifelong bonds within his friendships.
In this fascinating sequel to "Is Genesis History?", watch a team of scientists discover new evidence for the global Flood. By the time the journey is over, you'll understand exactly how modern science connects to the book of Genesis.
The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, particularly for its potency and creative style. The presence of women in filmmaking seldom holds the same historical notoriety as that of men, and the Pernambuco scene is no exception. In the context of "Amor, Plástico e Barulho" (Love, Plastic, and Noise), we find a film that serves as a testament to the marginalization of women in the creative industry, intertwining themes of consumption and the production of brega music. Hence, we use "Feminino e Barulho" (Feminine and Noise) as a means to share what we've learned. Renata Pinheiro has inspired us to craft a narrative that gives voice to those who need to be heard. We are here to showcase a glimpse of them and what they represent. "Feminino e Barulho" is a short film about love, femininity, sisterhood, and empowerment.
For 20 years, a subculture has emerged in Brazil under society's radar. It is the culture surrounding 'funk carioca', a musical rhythm which mixes the American electronic funk of the 1980s with the most diverse influences of Brazilian music. 'Baile funk' is one of the most interesting musical movements in the world, but it comes from what is at times one of the most violent and poorest places in the world: the slums of Rio de Janeiro (favelas). This music is the personalization of the raw element. Bombastic rhythms coming from the American Miami Bass and samples are fused with powerful rap vocals using Brazilian slang. This documentary tells stories of sex, love, poverty, and pride among Rio's marginalized people. They have their own language, style, and heroes. It's a film that's fast, heavy, and violent like the city itself.