Channelling Lye and McLaren, de Bruyn continues his explorations of ‘direct-to-film’ inspired artwork barely contained within the frame.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
"Beachworld" is set in the distant future. Federation ship ASN-29 crashed on an unknown planet, only two members of the crew survived - Shapiro and Rand. They find themselves on an uninhabited planet. Desert, that stretches out in all directions. No food and no water. Despair and insanity creep up on survivals, sand devours everything and very soon they discover that they are not alone on the planet.
A duo of street performers learns how sound and picture work together to create amazing cinema experiences.
A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.
This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.
A classic Soviet, black-and-white, animated film by the sisters Brumberg, "grandmothers of the Russian animation". Its plot differs slightly from the original fairy tale.
Max and Dave Fliescher are eating hot dogs in their animation studio and begin drawing. The hot dog becomes a "real" dog, and it and Ko-Ko the Clown alarmingly end up inside a Gas Chamber.
A pampered gentleman's seamlessly automated life is thrown into chaos when he pursues a free-spirited woman, against the advice of his robot butler.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
Young Vincent Malloy dreams of being just like Vincent Price and loses himself in macabre daydreams that annoy his mother.
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A short movie about a guy living in his own world.
Mary and Eva are best friends, although they couldn't be more different. Armand, Mary's fiancee, falls in love with the seductive Eva, who is busy becoming a revue star. When Eva fails and loses her money, Armand tries to help her out.
A film commissioned and conceived by the artist Eduardo Paolozzi using drawings and photocopies provided by him. A non-narrative film focusing on Paolozzi's themes about modern man.
Fantaisie érotique
Krazy Kat follows Ignatz Mouse and thinks about family as the latter takes his children out on a walk.
Silhouette film. Based on Bizet’s opera “Carmen”.