An evocative animated film on the life and works of the great Kyrgyz poet Alykul Osmonov.
An experimental film in which both sound and visuals were created entirely by McLaren drawing directly upon the film with ordinary pen and ink. The titles are in eight languages. Rereleased with multilingual titles in 1949.
Rainbow Dance is a 1936 British animated film released by the GPO Film Unit. This is Lye's second film. It uses the Gasparcolor process.
Archive film showing possibly the first example of digital rendering, made by Pixar co-founders Ed Catmull and Fred Parke in 1972, was stumbled upon by the son of Robert B Ingebretsen, who also set up the world-famous U.S. studio. A six minute version shows additional CGI animation of an artificial heart valve, and human heads.
Five years in the making, Lawrence Jordan's feature-length "alchemical autobiography" Sophie's Place takes as its inspiration the story of the Greek goddess of wisdom, Sophia. Writes Jordan, "I must emphasize that I do not know the exact significance of any of the symbols in the film any more than I know the meaning of my dreams... I hope that the symbols and the episodes set off poetic associations in the viewer. I mean them to be entirely open to the viewer's own interpretation."
An experimental animation that recalls a treacherious, winter journey across a Montréal landmark.
Four minutes of heavily cut-up sound and vision with collage, animation and multiple exposures throughout.
Demi swims across the screen leaving traces of blue and china ink in unexpected ways.
A small white box. Everything happens in that little world. A woman's face comes out from the side of the room and roars, birds peck at human flesh, trains run through, and a couple quarrel begins. When the billiard ball penetrates the room, the billiard ball changes into various shapes ... Each room is a world, and what happens there is a microcosm of modern times.
The bridge as the channel between worlds: between the living and the dead, between male and female, between sacred and profane.
The experimental animated short is a collaborative work between Keiichi Tanaami and Nobuhiro Aihara.
The human eye, a well-known psychedelic motif, is multiplied and sharpened in Keiichi Tanaami's film trip 4 Eyes. Using his experience designing nightclubs, Tanaami projects two copies of the same film with a slight delay, so that it appears as if the ghost is losing consciousness. (IFFR)
Landscape
When taking a microscopic view of a dot of the printer ink, it begins to transform into unstable forms. The other sphere/eyeball which appears when moving away from the dot, suggests the overlay of the swaying of the retina that occurs when staring, and the motion within animation.
Study for Film No. 11: Mirror Animations (1957). Harry Smith described the film as, “An exposition of Buddhism and the Kaballah in the form of a collage. The final scene shows Agaric mushrooms growing on the moon while the Hero and Heroine row by on a cerebrum”.
Through the uses of kinescope, video, multimedia, and direct painting on film, an impression is gained of the frantic action of protoplasm under a microscope where an imaginative viewer may see the genesis of it all. – Grove Press Film Catalog
Norman McLaren made Scherzo early after his arrival in North America in 1939, but the film was subsequently lost. In 1984 the original materials were found and the hand-drawn images and sound were reconstituted. Picture and sound dance triple-quick in this animated version of a musical scherzo. A film without words.
An unlikely encounter between a strange bird who lives in deep water and Lena, a little urban girl.
From the infinitely small to the infinitely large, all things in the universe are tightly connected: they interact and restructure in a combination of movements and perpetual metamorphoses.