Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.
Glen doesn't dare tell his fiancée Barbara that he is a transvestite; in addition, Alan is undergoing medical treatment to become a woman named Anne; both stories are told by a psychiatrist.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
A teenager decides to shut himself off from the world around him after receiving bad news.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
NYC’s genre-bending Temporary Distortion mines the worlds of Japanese ghost stories and J-Horror in Americana Kamikaze. Inside one of Temporary Distortion’s signature box structures, an East-meets-West psychological horror story unspools, complete with vengeful spirits, impossible physical manipulations, elliptical storylines, nightmarish cinematography and stunning visuals. Temporary Distortion has been making new works that seamlessly blend theater, cinema and installation since 2002. Their work has been presented in the US, Canada, France and Austria.
A first feature based on sexual events. An actress undertakes her desire of directing her first movie, without a budget or any production company funding her project. She gathers a group of professional actors and actresses, and proposes a project based on a very particular experience: stepping on their fears through a metaphorical 'leap of faith'. As the project advances, individual conflicts will arise affecting the shoot, making the movie crew wonder whether or not they should go on. Will they take the leap of faith with all its consequences?
In present-day Nicaragua, a headstrong American journalist and a mysterious English businessman strike up a romance as they become embroiled in a dangerous labyrinth of lies and conspiracies and are forced to try and escape the country.
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.
An experimental film about a peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the eve of the Italian occupation of the country.
An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
Set in the shadows of Costa Rica’s booming tech sector in 2010, Felipe, a reserved IT worker finds that his new job hides something far more sinister than it seems. As he’s pulled deeper into a web of deception and criminal exploitation, Felipe must decide how far he’s willing to go to do what’s right—before the system swallows him whole.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.
The daily lives of three young women that live together in a big city in Brazil and go through crucial moments in their lives.
In mid-19th-century Costa Rica, President Juan Rafael Mora vows to defend his nation from American filibuster and slaver William Walker, who has seized nearby Nicaragua. Flashbacks trace Mora’s rise from reformist coffee planter to national leader, modernizing his family’s plantation with fair wages and new methods. Guided by love, loss, and his cautious brother-in-law, José María Montealegre, Mora builds trade ties with British merchant William Le Lacheur. In 1856, Costa Ricans defeat Walker, but cholera devastates the land. Betrayed by Montealegre, Mora is executed—like Walker—undone by ambition and history’s cruel turns.
Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.