Girl with Hay

She is a healer. A hermit. A Fool-in-God. She is a little over forty years old. She doesn’t disdain alcohol. She can be ridiculous, humiliated, offended. She has long been indifferent about herself. Everybody avoids her and is afraid of her, but secretly at night they all hurry to her home. After all, only she can get rid of their illnesses. For her, this is a damnation, and each time she swears that she won’t help people any more, but each time she is unable to refuse them. She knows that her gift will ruin her some time, but she continues to be the only chance of salvation for people.

The film shows a few days from the life of a simple young, rural boy who has life difficulties: can't find a job and pay off his mortgage, but still with a good heart – helps a lonely, sick grandmother chop wood, light the stove and buy food.

Son of God

Amateur film by Dmitry Davydov

A young couple encounters supernatural terror in their new home.

Taking the form of a travel diary of a television journalist, this documentary tells about the life and work of the people of Yakutia: pilots, artists, drivers, and reindeer herders.

Holding hands, Dayaana and her beloved only daughter Sandaara, walked through an endless forest for a long time. Eventually they reach a distant, unrecognized village full of strange inhabitants and strange happenings. The residents themselves are astonished by Dayaana since they cannot see her daughter...

The story unfolds in an alternate reality. Chee-Ke works for the "dance police". By the will of fate, he has to quit. For three years there is no news about the hero. But suddenly the singer Kunnei is kidnapped by the villain Bachata, and Chee-Ke is forced to go on the warpath. The policeman and his assistant must defeat the kidnappers in dance battles.

Simple guy Diulus never had any luck in his life, but one day he was lucky, he won a large sum of money... to return home with a win, you need to pass the tests that you will overcome with your best friend.

Short film directed by Evgeny Nikolaev

Documentary by Dmitry Davydov

A Finnish man goes to the city to find a job after the mine where he worked is closed and his father commits suicide.

Nikander, a rubbish collector and would-be entrepreneur, finds his plans for success dashed when his business associate dies. One evening, he meets Ilona, a down-on-her-luck cashier, in a local supermarket. Falteringly, a bond begins to develop between them.

A couple on a boat. Their love is burnt out. But how to let go when souls are entangled?

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, dreaming up little numbers to the rhythmic beats of her surroundings.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

An unconventional essay film that interrogates the visual and ideological legacy of the Vietnam War. Blending staged scenes, archival footage, photographs, and philosophical dialogue, the film follows various characters — including an American soldier captured by North Vietnamese villagers — as they reflect on violence, memory, and image-making. Set partly in West Berlin and partly in reconstructed spaces representing Vietnam, the film avoids traditional dramatic narrative in favor of a fragmented montage of voices, documents, and reenactments. Interweaving love stories, political debate, and historical commentary, Farocki creates a critical reflection on how war is represented, seen, and imagined, both in cinema and in public consciousness. The result is a complex meditation on images as weapons and instruments of perception.