An experimental, no-dialogue short in which a man comes literally out of a closet, only to be held in bondage by a woman. She finally puts him back into the closet.
Nearly devoid of editing resources, the videos feature single shots of anonymous people in daily life, subtly revealed/highlighted through zooming. Instead of uncovering reality, though, the videos end up turning it into pure invention. The “videorhizomes” are not limited to production and screening in regular, traditional circuits. The process includes sending the videos to a person that is randomly chosen from the phone book.
A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.
His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until finally - as if to underline the ambiguity and interchangeability of their respective roles - the colours are reversed altogether. Still more interesting is the way in which, as the game becomes more ambiguous, Dwoskin adds fresh layers of make-up to his characters' faces, until they become almost caricature masks of their original selves.
Calangros: Um faroeste sobre o terceiro mundo
An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities.
An exploration of the VHS medium and the subterranean trash which thrived in it. Using source material from Emmanuelle 6, this DVD-R/VHS further blurs the line between low and high art. Beautiful cinematography coupled with smut. Strategic pauses and tracking errors guides the viewer to discover the true depth and sadness of the seemingly one-dimensional Emmanuelle. Soaring arpeggio synths and pulsating rhythms by Rob Feulner. The utter destruction of arguably the most beautiful film never seen, lost and forgotten on the shelf of your local video store, behind the cowboy doors or dangling beads. Written off as pornography by most, written off as too soft by creeps. This is the plight of Emmanuelle.
On the beach at sunset a man waits for his one true love. When she arrives, a bittersweet romance ensues.
An exploration of the Cultural Revolution that depicts both its chaotic later years – through the story of a squad of Red Army guards running amok in the countryside – and its continuing legacy in today’s China.
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
"Thornton's magnum opus, this ongoing and open-ended serial follows its two improvisatory protagonists, children “raised by technology,” through a surreal landscape where pop culture and history, science and science fiction blur." - BAM
In this surrealist vignette-based film, a goldfish makes conversation with various objects. A TV becomes a writer, a triangle learns it is not a hexagon, and a goldfish sees themself without an audience. // \ / \ \\ \ / \ / /\/ /// \ / \ \\ \ / \ / /\/ /// \ / \ \\ \ / \ / /\/ /
Doodles keep dripping down from the mouth of an idiot.
"A fisherman, dark-skinned and shirtless, sits in a boat on a quiet river and, before long, catches a fish. The fish gasps for air and the fisherman holds it to his chest until it dies. This sequence—performed by a series of fishermen, of various ages and using various styles of capture—is the spine of the work, interrupted by passages of quiet natural beauty; one shot is a steady, stately pan through scores of trees and empty air behind." - Vinson Cunningham
"A deeply beautiful and disturbing split-screen depiction of the contrasting daily routines of sociologist Gilberto Freyre in 1959 (author of The Masters and the Slaves, originator of Lusotropicalism, proponent of racial integration) and Cristóvão, an ordinary housekeeper in 2016." - Angeline Gragásin
Drops of fire that create a universe of magmatic asteroids. Liquid and gravitational reality. Cosmic energy. Atomized Rhythm. Neurons of a liberated unconscious. Elimination of the idea of "soul" as "everything", reducing it to the condition of units of energy in perpetual process, elementary particles, without duration, that arise in perfect dependence. The "I" as a stream of units of force in ceaseless becoming that procures the illusion of an entity. Karmic chain. The idea that eternity resides in the transitory, the eternal belongs to it instantly. Eternity not as infinite duration but as absence of temporality. Universe of a mobile, procedural, relational and interactive nature of everything that exists. Here the "object" is conceived as something that is constituted, completed, lost and recovered with the vibrating rhythm of a universe in constant production.
A meditative journey, using and manipulating archival silent film footage, that investigates the look of the "New Woman" in Chinese silent screen.
A man without his own half of the body is looking for the other half in the opposite sex. As for the integrity of his body, so for the sake of emotional healing.