Reflejos

Documenting the Witch Path is a documentary film that is testing the limits of three young documentary filmmakers. They find out about a place called the Witch Path that leads out to the lake known as the Witch Lake. It's where they drowned innocent women in the 17th century because they were accused of witchery. All because the people blindly listened to the priests. Nowadays, the path and the lake is closed off by the township. No one wants to answer why, but these filmmakers will find out the horrifying truth about it.

Por Diabos

Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.

A mockumentary about a Christan Battle of the Bands.

Using found footage, still photographs, animations, and occasional original footage, “The Mist in the Palm Trees” purports to tell the story of Santiago Bergson, writer, physicist, and sometime pornographer who sold arms to the Resistance in France, flirted with the Nazis, collaborated on Orson Welles’ “War of the Worlds” broadcast and helped build the A-Bomb.

Eyewitnesses across the globe describe encountering the same evil entity.

Sisterhood portrays a current reality in Japan, showing the vision and lives of different people, such as a nude model, a music artist, a student and other diverse individuals who give their opinions in front of the camera.

A film exploring the life of “Weird Paul.” After 30 years, 2000 videos, 800 songs, & 42 albums, he’s still not giving up on his dream.

A documentary about aliens and UFOs with re-enactments of alien interviews and video of a supposedly real video of an alien being interviewed by government officials.

The film centers around 8 people, from all walks of life, who thought they had bought a 'movie role' in a horror film, only to be locked inside the haunted mental asylum to test "The Lucifer Effect" experiment.

The 1992 suicide of a young Iranian refugee in a small Canadian town prompted filmmaker Masoud Raouf to examine his own past as a political prisoner in Iran who helped fight for democracy, only to be persecuted by the ayatollah's regime. Raouf's documentary features historical footage and interviews with veterans of the 1979 revolution, who watched with dismay as their homeland traded a despot for a religious dictatorship.

Istanbul: Chronopolis is an experimental documentary that explores the city as a living organism where the linear flow of time is disrupted and the past and future coexist. Structured around a thematic cycle of birth, speed, and decay, the film uses rhythmic visuals and archival footage to bridge temporal gaps. Through a fourteen-minute mathematical edit, it replaces linguistic narrative with the evocative language of time-lapse and slow-motion cinematography. The project invites the audience to transcend chronological time and experience Istanbul as an eternal moment—an entity existing solely within its own timeless cycle.

"CIVIL WAR SURVEILLANCE POEMS (Part 1)" is the first installment in a five-part project of experimental and hybrid-form short films contemplating a second American civil war via lyrical nonfiction, mixing call-in radio, twenty years of verité footage from the filmmaker's archive, and robots. Conceptually speculating from sixteen years in the future (and a protracted civil war), the project is partly nostalgic political travelogue, partly a quest to mine the archive for what went wrong, and part prewar surveillance records, the project deconstructs and builds to a clashing ideology, culminating in an installation of sound sculpture, four-walled video and artifacts.

A young woman's life takes a series of unexpected turns after she leaves the Buddhist temple where she has lived most of her adult life.

A visual image of the city of Lysychansk, Luhansk region, Ukraine, created from found archival materials from the Akzent TV channel.

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

A documentary film containing unique and unpublished backstage materials from the life of the legendary Kult band and Kazik Staszewski himself. A real, exciting and anticipated film about people without whom the Polish music scene could not exist. The camera accompanied the musicians during the concert tour and in everyday life, showing the phenomenon and the group and its unprecedented relationship with fans.

In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?

William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioural changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.

Suzanne's life was turned upside down when a Bigfoot ran across the road in front of her one night. As she tries to understand what she's seen the creature arrives at her doorstep and sends her into a downward spiral looking for answers.