Ústřední loutkové divadlo

An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

Nová směna

O Alence a káčeti

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

According to family legend, the name Hrušínský was born after Rudolf and Jan Hrušínský's grandfather Rudolf Böhm was caught stealing pears on a theater stage. The German name Böhm suddenly became Hruškovský and shortly after that Hrušínský. Grandfather Rudolf, later known as Rudolf Hrušínský the eldest, adopted the surname as his own and began using it in 1935. However, the history of the Hrušínský acting family goes back much further. It is therefore not surprising that the brothers Rudolf and Jan also took the same path. The documentary charts their acting beginnings alongside their father Rudolf Hrušínský Sr., from their first roles, through theater engagements at the Drama Studio in Ústí nad Labem and the Drama Club in Prague, to unforgettable film and television roles, when three generations of Hrušínskýs often met in front of the camera.

Věděli si rady

A 4-year-old girl cries, lost in the city. A Soviet soldier on a ferry takes her in and takes her to her home village.

Zima v Československu

Part journalistic investigation and part performance documentary, "Who Killed The Federal Theater?" tells the story of the Federal Theatre Project within the context of a volatile period in the political, social and cultural history of the United States. The film features interview segments with playwrights, including Arthur Miller, and with actors, directors, designers, and historians. It also incorporates rare archival materials and dramatic sequences, including professionally re-created scenes from Federal Theatre productions that transport viewers back in time to a bygone era in American history and entertainment.

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

The animated documentary shows a day in life of a person suffering a mental illness called anorexia nervosa. It is an intimate insight into the mind of an anorexic, who must somehow interact with raw reality.

"Chapal Bhaduri, a leading lady of Bengal’s traditional folk traveling theatre-in-the-round, the Jatra, spent his life playing women. This film is an intimate biography that brings you face to face with this unique individual, sharing what it means to him to become a woman night after night, talking of the woman inside his body, of troubled sexuality, of a long partnership with his older lover, of the loneliness of living on the edges of conventional society–and showing how he metamorphoses into the goddess to perform her story." - The Bangalore International Centre

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?

Divadlo Svoboda

An aspiring superhero, lacking powers, tries out for a real superhero team in this mockumentary.

A film poem. A minimalist reflection on whether inner states are transferable by the film medium. The aim of a Buddhist mindfulness meditation is to clear away thoughts wandering from the past to the present, to be mindfully aware of each present moment. Each unique NOW NOW NOW passing away just like single frames while the camera grab snatches off meters of expensive 35mm material.

A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”

Hrdinové nové generace