The Hall of Lost Steps

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.

The film consists of two identical prints shown simultaneously, one projected inside the image of the other. The inner image is out of sync one second in advance of the larger image creating a dynamic inter-play between the overlapping frames.

On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.

Like many others, Daniil has decided to leave his native Georgia and move to Prague in search of better pay. Originally a teacher, he finds a job with Ukrainian laborers controlled by a Russian boss called Sergei and thus becomes a cog in the machinery that takes advantage of the work of illegal immigrants… Vinland looks at the lives of people who exist all around us but about whom we know so little because their identities disappear the moment they relinquish their passports to the mafia who are interested only in profit.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

An experimental sports film made partly during the Scandinavian Open Championships in Halmstad in 1970, partly during the Chinese players' exhibition tour in Denmark immediately after the SOC. First of all, it is a film about their style, about the artistic culmination that is ping-pong at its best, it records China's comeback into the international sports world.

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.

Two former partners suddenly reconnect and begin to question if they made the right choice.

Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.

This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...

Between a man and his lover lies a wall, between the man and the country he loves lies another wall. Can a one-sided dialouge breaks the walls and expresses the man’s feelings and sentiments? Or does the lover or the country wants the wall to be broken in the first place? This short was inspired by Amy Len’s dance choreography “Wall” and colloborated with Loh Bok Lai. The dance was originally choreographed for a performance in Japan Dance Wave Fukuoka ‘06 - Asian Contemporary Dance Now and later made into an experimental video combining elements of an actor and monologue. The video footages were also used for the dance piece itself in KL.

This experimental dance film employs a bastardized version of the 1930s three strip Technicolor process. Shot entirely on black and white film through color filters, the images were recombined into full color through optical printing techniques, one frame at a time. The gestures in this dance work explore the psychological fracturing and reunification in representations of the female body.

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

Gavin built a giant volcano sculpture that's now in his dad's shed. Gavin seeks his dad's understanding but he's uninterested in modern art and refuses to participate in the documentary.

This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.