An insecure but curious gay guy tries to change the outcome of his date by manipulating time with his Rubik’s Cube, despite not acknowledging the consequences that this time warp might bring to his date.
A dark take on media manipulation and political situation in Malaysia. The idea is to convey how normal citizens even though sometimes they know what they read and heard are absurd and not right but still with not much options to react but to accept them in order to maintain their livelihood. And at the same time powerful figures whom understands the mentality of the citizens continues to drives their ridiculous and absurd ideas and opinions to the mass.
Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.
After June and Charlie break up, Theo finds a scrapbook containing their fondest memories together, and he becomes obsessed with their relationship. He convinces June to try and win Charlie back by recreating moments from the book. Dear June follows the intricacies of a relationship going downhill and explores how straight men view and tokenize sapphic relationships.
Sometimes life starts after death for someone. Like for a little parasite, who walks with a rotting corpse of a dead dog around an old landfill. Trapped in his unpalatable body he tries to find love and friendship.
A psycho infiltrates a drug deal. Those in charge of the deal catch wind of the discrepancy.
When a young boy tries to write the perfect song, the tip of his pencil breaks and frees a Genie who will only grant him one wish
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.
The Dadaist, an eccentric creature who embodies the concept of the 20th century European avant-garde art movement Dadaism, destroys and mocks art pieces such as Leonardo Da Vinci’s Mona Lisa, whilst expressing his impulsive fury at logic and reason.
A young boy's innocence is slowly deprived by digital overstimulation and the War on Drugs. Surrounded by a world of vices, his future becomes uncertain when he learns the truth about the people around him.
Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.
ISLANDS explores a cinematic journey of two astronauts. As they enter Earth’s atmosphere the structure transforms. The spacecraft becomes the meteor from a myth of a tribesman; it triggers an old lady’s memory of a lover from her past. As these diverse characters converge in a plane of reality, we confront a particular form of gravity we covertly feel—falling in love.
Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.
"After crossing paths with a terminally-ill mad scientist who's supposedly discovered the key to switching bodies, a suicidal call center agent must decide whether or not to shorten his life." From Cleveland State University's School of Film & Media Arts, this 30 minute Dark Comedy/Science Fictional story was first conceptualized by Cinematographer, Greg Pace, during the height of the Covid-19 Pandemic. Wanting it to come to fruition, Greg handed off the script to Chan Cunningham, who would then become the Writer, Director, and Co-Producer of the student lead thesis project. CO-PRODUCED BY: Greg Pace, Chan Cunningham & Lex Speer In Association With: Cheddar Studios & Paceham Productions.
U.S. Ambassador Henry Morgenthau risks his job and his reputation by leaking memos to the New York Times and becoming the first whistleblower of the Armenian Genocide. (Based on "Ambassador Morgenthau's Story" by Henry Morgenthau)