Trapped in a nomadic world that makes less and less sense, Eliška yearns for a safer and more stable life for herself and her little brother Aleš. As illegitimate repo men begin frequenting their home, Eliška’s uncertainty about her and her brother’s future reaches a crescendo and she is forced to take action to protect Aleš from this shady and dangerous life.
"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito
On the edge of the idyllic Lake Windemere, Richard runs a café. After a long past in the forces, he has had a dramatic shift in lifestyle, and has had to adjust to an immensely different environment. Shot in Ambleside in 2022, Good Living is an exploration of new paths and opportunities.
Luisa from Argentina and Fred from Germany are confronted with their social roles at their wedding. The German tradition of kidnapping the bride shakes the couple’s equality. There is no room for love in this role-play of marriage.
A Gossy New Wave Production - A lonely and obsessive young man asks an old friend to help him fix a mysterious ironing board.
Politická karikatura
Ženy v uniformě
Socha robotníka
A film about the complicated friendship of three adolescent girls, two swimming pools, and one malicious act of revenge.
One chance encounter and a night spent together help Magda to discover what she probably doesn't need to live anymore and what she might need.
When Eva (14) goes to the lake with her older brother and his friends, she finds herself under her body’s control, of which she is still ashamed at her age.
A college student heads to the forest to exchange an item for a special item he desires. But once he arrives, the deal changes which leads to violence.
In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.
Short experimental 16mm film.
Playing hooky from school, Tony, a student/chorister at the Cathedral of St. John the Divine, spends the afternoon at Central Park's Sailboat lake and retrieves a remote control device left behind by a pair of sailboat racers. Back in the schoolyard, Tony pretends that he has a car to go with the remote control. When another boy tries to take the control from him, it falls on the ground and a red remote-control sports car miraculously appears. The car "dances" to rap music and even brings Tony a can of soda. One day, a sinister-looking man with a briefcase steals the car and flees into the subway. Tony and his classmates pursue the thief to the Wall Street area and ask to inspect the briefcases of passing businessmen. Eluding the students, the crook hails a taxi and hurls the briefcase from the window. Next morning, Tony hears the sound of a sports car during a church service. Returning to its rightful owner, the magical car mysteriously reappears at the end of the processional.
A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
A story about a young man who has an argument with his friend so chooses to take a walk to clear his deteriorating mind.
A man and woman embark on a sexual journey to detach mind from body. The relationship slowly grows into one of emotional domination, physical disease, abandonment and the creation of personal pornography.
The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.