The Hall of Lost Steps

"This is a video for my generation. I'm Lucia Izmailova. And I can control time. See the future. I was eight years old when I dreamt of World War III. Even though my parents didn't believe me, I still love them very much. Their wedding anniversary is soon. And I'm preparing a surprise for them. Mom will cook a lot of tasty food. Dad, like always, will sing... And I will dance. They will see that I can..."

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

H*ART ON dives off the deep end of modern art. A film about the yearning to create, to mould everyday emotions into a meaningful life and, most of all, to live beyond one's death. A struggle that gets to the existential core of each of us. How do you find meaning in everyday fear, love, sex and loneliness?

Her self-chosen solitude in the thick forest comes to a sudden end for Noé, when she finds the broken body of a female android. While she slowly approaches the mechanic woman, Noé’s past is revealed and brings up questions about how alike she and the android can become.

On stormy night in an ugly urban landscape, Ciro Norte, a scientist with wild hair and thick glasses, straps himself to a chair he's has fashioned with wires: lightening strikes, convulsing him. It seems his experiment has not worked. The next day, he drives his jalopy to a bar, sits alone, and weeps. But suddenly, a vortex sucks him into a dream state where he wanders, escapes man-eating fish, confronts his doppelganger, walks through a field of giant flowers, and comes upon Venus herself, buried up to her shoulders in sand. She is a giant, and she takes him to her breast. He wakes from the vortex, back in the bar, his mood transformed.

The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.

Film by Robert Todd

Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.

Violette lives in an apartment with her boyfriend. A tension has long driven them apart, the dialogue seems worn-out. While she is in the bathroom brushing her teeth, Violette is called out by a strange silhouette which looks right at her through the drain (of the sink): a living finger, which has taken up residence in the pipes. The finger seems to show itself only when Violette is alone. Her boyfriend, who seems now to hold nothing more than contempt for her, is no source of support. Refusing to tolerate the strange creature's intrusion, she is going to make every effort to put an end to this psychosis. But are things more real than we might think?

Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.

Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.

An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities

Set in Uzumasa, Kyoto, Shoji Hyakkan lives with his wife and kid happily. He then begins to build a house held together by magnets. One night, Koji steals and kills a cow, to use its cowhide as decoration wall material for his magnet house. By chance, Police Officer Kobayakawa happens to see what Shoji Hyakkan is doing. Police Officer Kobayakawa then offers Shoji a deal. (c) Asianwiki

Taking its title from the poem by Wallace Stevens, the film is composed of a series of attempts at looking and being looked at. Beginning as a city state commission under the name and attitude of “Unschool”, the film became a kaleidoscope of the experiences, questions and wonders of a couple of high school students after a year of experiences with filmmaker Ana Vaz questioning what cinema can be. Here, the camera becomes an instrument of inquiry, a pencil, a song.

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During the day many thoughts and images pass through his mind - the memories of childhood, ex-wife, current girlfriend, but mostly his father who died in a war.

An experimental film about peaceful and carefree life in a small Dalmatian town, which turns into bloodshed and horror on the Eve of Italian occupation of the country.

A drawn man faces off against his mortal enemy: a 3D man.

Life drums the playfulness out of a boy as he grows up.

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.