Richard Glazier: From Broadway to Hollywood

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

An examination of the hitherto unexplored relationships between Pan-African culture, science fiction, intergalactic travel, and rapidly progressing computer technology.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

In 1910, the Pennsylvania Railroad successfully accomplished the enormous engineering feat of building tunnels under New York City's Hudson and East Rivers, connecting the railroad to New York and New England, knitting together the entire eastern half of the United States. The tunnels terminated in what was one of the greatest architectural achievements of its time, Pennsylvania Station. Penn Station covered nearly eight acres, extended two city blocks, and housed one of the largest public spaces in the world. But just 53 years after the station’s opening, the monumental building that was supposed to last forever, to herald and represent the American Empire, was slated to be destroyed.

When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.

A journey to the heartland of the Midwest for an in-depth look at an ongoing phenomenon: one of the most recent and popular stories has been an ongoing wave of sightings of a red-eyed, shapeless creature dubbed the Chicago Mothman.

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.

Three years in the making in conjunction with the BBC. Using never seen before home movies, photos and eye witness accounts - this is the inside story of the world's biggest motorsport disaster.

You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.

The movie captures the responses of 31 authors, musicians, filmmakers and dancers to Olivier Messiaen's monumental organ work "Apparition of the Eternal Church." Listening to the 10-minute piece through headphones, the documentary subjects-most of whom are outsiders to the church and do not know what they're hearing-put Messiaen's project to the test: Is it possible to portray, through time-bound, invisible sound, the spiritual, the architectural, the eternal? The result is a collective interpretation improvising its way through an aesthetic landscape defined by violent contradictions. Resolution abuts eternity, eroticism asceticism, spiritual ecstasy physical torture. Together, the music and its interpreters conjure something like what William Blake famously called the marriage of heaven and hell.

Documentary about master director Roberto Rossellini, who tells details of his life and childhood and visits the places where he has lived and shot some of his most famous movies.

Lost Heroes is the story of Canada's forgotten comic book superheroes and their legendary creators. A ninety-minute journey to recover a forgotten part of Canada's pop culture and a national treasure few have ever heard about. This is the tale of a small country striving to create its own heroes, but finding itself constantly out muscled by better-funded and better-marketed superheroes from the media empire next door.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Omnibus: François Truffaut

Tour of the White House with Mrs. John F. Kennedy was a television special featuring the First Lady of the United States, Jacqueline Kennedy on a tour of the recently renovated White House. It was broadcast on Valentine's Day, February 14, 1962, on both CBS and NBC, and broadcast four days later on ABC. The program was the first ever First Lady televised tour of the White House, and has since been considered the first prime-time documentary specifically designed to appeal to a female audience.

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

A behind-the-scenes documentary on the making of Abbas Kiarostami’s "Certified Copy" (2010).

A Place of Our Own

This promotional short film for "Soylent Green" (1973) begins by showing clips of films that depicted what the future might be like beyond Earth. The narrator then discusses the origin of the idea depicted in "Soylent Green." Director Richard Fleischer and star Charlton Heston discuss how an upcoming crowd scene will be filmed. Then we see what happens when the crowd riots because there is not enough food available to be distributed to everyone. "Soylent Green" was Edward G. Robinson's 101st (and, as it turned out, his last) feature film. During a break in filming, the cast and crew hold a ceremony celebrating the first film of his "second hundred," and Robinson makes appreciative remarks to the crowd. Studio head Jack L. Warner and friend George Burns are among those in attendance.