Avant

Fantaisie érotique

Fraktura

A dedicated bird watcher observes a hawk and journeys to the limits of what it means to be human.

"Beyond Noh" rhythmically animates 3,475 individual masks from all over the world, beginning with the distinctive masks of the Japanese Noh theater and continuing on a cultural journey through ritual, utility, deviance, and politics.

Derived from an installation, an asymmetrical orchestration of "motion paintings" pushing the limits of abstraction in the digital age.

A series of vaudeville acts inserted in images of reality, meant to demonstrate the ephemeral nature of all things.

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

Leaders

A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.

Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.

Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.

A destructive sequence with infinite consequences.

Senescence

A musical animated film which celebrates the simple and childish joy of hitting drums, scribbling on paper using marker pens, splashing paint or making cracked cymbals screech.

A boy conjures the stars out of yogurt.

Blind evolution. Seemingly arbitrary stages of the evolution in black-and-white drawings on rough paper.

Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)

Experimental film from the almanac of classical music for children "Children's Album". It is dedicated to the constructivist period of Alexander Mosolov, as well as architecture and cinema of this direction and consists of three parts, with conditional names: 1. "Shadows", 2. "Movement", 3. "Volume". The structure of the film is visually and rhythmically close to constructivism.

An elegy to a love affair that has gone sour, a fond farewell to that most beautiful material that has subjugated our planet – plastic.

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