Invisible Monsters and Tomato Soup

An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.

Documentary about the excavation of Ancient Sardis.

In India, in the region of Gujarat, a man whose face is never shown travels through the large city of Vadodara by night and distributes a mysterious illustrated newspaper. It provokes an irresistable desire in all the street merchants and craftsmen to tell stories of ghosts and ghouls.

“Push,” is a story of self-discovery, found in the simple joys of skateboarding. This film explores ideas of identity and quickly becomes an anthem for the inner strength that can be found in finding a community.

Documentary about the life of the indigenous people in the Andes and in the slums of Lima, and of their religiosity.

Documentary about the history of male impersonation.

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

In this short film, two starstruck movie fans hire a tour guide and see a plethora of Hollywood stars.

The Junk King (Vince Hannemann) gives valuable insight regarding his art and the Cathedral of Junk in Austin, TX.

An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.

An animated documentary exploring how a mother's abusive relationship shaped the director's own experiences in boarding school.

In 1957, Charles and Ray designed the Solar Do-Nothing Machine for Alcoa, the Aluminum Company of America. True to the Eameses’ belief that toys are not as innocent as they appear, the machine was one of the first uses of solar power to produce electricity. In the 1990s, Eames Demetrios discovered unedited footage of the wonderful machine. He cut it together to produce a new film that shares a bit of its flavor for future generations to enjoy.

A young girl is cured of her epilepsy just as summer vacation is about to begin. During her last days with her classmates, she’ll come to experience life in a new way. Arranged as a series of elliptical tableaux, this haunting narrative from Luise Donschen (Casanova Gene) captures a simultaneous sense of discovery and disorientation as it proceeds from the confines of the classroom to a wider world of adolescent anxieties.

Volcanoes erupt from the depths of the boiling earth to the surface of the celluloid film, to create a new abstract cinematographic language.

As her 80th birthday is approaching, Vera Klement, an oil painter in Chicago, adamantly starts yet another new figure painting: a portrait of an artist under oppression, an homage to Russian composer, Dmitri Shostakovitch.

A discussion with her family brings a daughter an occasion to ponder the past. Presence and absence lead to an immersion into memories, and ultimately, to the future.

'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.

The history of Chinese migration to Mexico, from its birth at the start of the twentieth century, through the Mexican revolution, the anti-Chinese movement, and up to the current state of Chinese migrants in the country. A documentary about xenophobia in Mexico and the search for identity of a group of people caught between two cultures.

Filmed and edited entirely in isolation, Living in Fear is an educational and inspiring documentary directed by myself, Stephanie Castelete-Tyrrell, a disabled filmmaker as I capture the fears and struggles disabled people faced before the government implemented the lockdown on the 23rd March 2020. Thousands of people with disabilities were left in the dark and had to make the call weeks before to lockdown as it was inevitable that we would die if we caught the virus. Food was impossible to access because we couldn't go out or get delivery slots, and even if we did panic buyers made it impossible to get the items we desperately needed. We were truly isolated, unable to have family and friends visit. Having carers coming in and out of the house was risky and many disabled people felt that having basic care was putting their lives at risk.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.