Towards the Colonies

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

A team of U.S. government agents is sent to investigate the bombing of an American facility in the Middle East.

Everyone wants a piece of her. She just wants to understand her.

July, 1941. After the beginning of the German invasion, an Italian soldier, a veteran of the colonial wars, is sent to the Soviet front. As he remembers the fairy tales his Russian mother used to tell him, the train he is travelling in crosses Europe on its way to the vast Ukrainian plains, where the enemy and a cruel winter await him… (Based on the experiences of several Italian soldiers.)

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

A film about using nature as a way to deal, cope and escape depression, a sense of melancholy and loss clouds over the film.

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.

A historical drama set in 1889, Chandler's Mill examines the plight of workers, and particularly child workers, in the New Brunswick wool industry. The story revolves around the efforts of one young teenage girl to better the lives of her friend and other workers, on the eve of a public hearing of the Canadian Royal Commission on Capital and Labour. Through the use of historical re-enactment, Chandler's Mill explores the issues of child labour, worker's rights and union organizing in 19th-century Canada.

April, 1940. The eyes of the world are on Narvik, a small town in northern Norway, a source of the iron ore needed for Hitler's war machine. Through two months of fierce winter warfare, the German leader is dealt with his first defeat.

A man leaves suddenly. Two men chase him. A woman in black and white. The landscape – the one outside and the one inside of the characters – takes over. Landscape of images and words.

A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.

"Get ready for an unforgettable experience where love and the anime world intertwine in "My Otaku Girlfriend"! An anonymous mangaka is discovered by a beautiful otaku influencer, and he must choose between finishing his manga with her or leaving everything behind for graduate studies abroad."

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

Samia Yusuf Omar is just 9 years old when she discovers her special talent: she is faster than all the other boys and girls. With her friend Ali, who is the same age, she has the goal to earn real money with running and become famous. The children make a pact: Ali becomes Samia's coach. With his help, Samia is to become a real champion. But the ongoing civil war makes life in Mogadishu increasingly difficult...

Sara and Brian live an idyllic life with their young son and daughter. But their family is rocked by sudden, heartbreaking news that forces them to make a difficult and unorthodox choice in order to save their baby girl's life. The parents' desperate decision raises both ethical and moral questions and rips away at the foundation of their relationship. Their actions ultimately set off a court case that threatens to tear the family apart, while revealing surprising truths that challenge everyone's perceptions of love and loyalty and give new meaning to the definition of healing.

Caro travels to Venezuela to sell her late father’s cacao plantation, only to find the family mansion occupied by its former staff, who are determined to remain at all costs. As Caro takes justice into her own hands to claim the inheritance she believes is hers, she sets off a struggle that unearths the violence buried in the land and its memory.

It's 1990 and an Indonesian fishing boat abandons Iraqi and Cambodian refugees in a remote part of the Western Australia. Although most are quickly caught by officials, three men with nothing in common but their misfortune and determination to escape arrest, begin an epic journey into the heart of Australia.

Alejandro and Paula’s young relationship takes a dark turn when her parents reveal a family secret: they live with the preserved corpse of Paula’s grandfather, caring for it as if he were still alive.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.