In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory
Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.
A visual essay on contemporary Kiwi architecture.
A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.
Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.
Documentary filmmaker Renton Hinderer takes a look back at his long relationship with one of his closest friends to understand the paths we choose in life, and how friendship is eternal through it all.
A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.
Anémona and Pisces live a capicua experience: they are at the same time the woman who looks, the woman who is looked at, and the very act of looking. Between fractal scenes and images multiplied in reference to Man Ray, Anémona assumes the will to, through the state of trance, always be a foreigner within herself, while Pisces goes in search of an alien vision, to assume herself as the self and otherness to understand the world.
A personal, poetic essay film exploring eye contact, social anxiety, and the nature of connection between self and other.
An essay film about... things that don't make sense. Or maybe they do, I don't know. You tell me.
A personal essay film about the nature of artistic creation and the responsibility that comes along with it.
A rose is a rose by any other name would be, well, something different, particularly if the rose was a woman. This tape is a witty and thoughtful exploration of naming and the importance of names in knowing who you are and where you come from, particularly in a world where you meet so many people but get to know so few. Christine Stewart s teasing voiceover and sly visuals slip between the pages of the phone book to provide a cunning directory to the loss of women's names, the anonymity that makes them feel safe and the eclipse of their identity in shedding their maiden names. Rich colours, great found footage and insightful musing open up traces of history in the story behind Jane Doe.
A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.
In addition to being a popular excursion destination, Äskhult's village outside Kungsbacka on the west coast of Sweden is a place where our past is kept alive while creating opportunities for a more sustainable future.
With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.
This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why she is a superhero in her own way. (This short piece is included on the 2-Disc DVD for "The Incredibles", which was released in 2005.
Zaniklý svět Karla Pecky
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