De okända utvandrarna

With confidential and unpublished documentation, the film shows the background and behind-the-scenes of the coup in Chile that took place on September 11, 1973 - and General Pinochet's dictatorship, which lasted 17 years.

In January 1972, during General Lanusse's dictatorship in Argentina, a group of revolutionary activists occupied the National Development Bank, just meters from the Government House, expropriating 450 million pesos (approximately 10 million dollars today) for their cause. This was made possible by Oscar Serrano and Ángel Abus—activists and bank employees—who spent two years preparing what would become the biggest blow to the dictatorship's finances. Forty years later, Oscar and Ángel, along with a group of actors, recreate those events that changed their lives. In this dialogue between generations, the young people transform their perspective on activism and commitment during those years. Narrated through several cinematic layers, Seré Millones (I Will Be Millions) offers an innovative story that blends humor, rigorous historical research, and the epic spirit of the era.

Scenic route through the Vale of Evesham, Worcester and Great Malvern, with a detour to a lost masterpiece of outsider art.

On August 15th, 2006, filmmaker Ryan Dacko set out to get a 30-minute meeting with a major Hollywood producer by running on foot from Syracuse, New York to Hollywood, California.

Cyrille, a young gay farmer from Auvergne, has only one friend, a homosexual like him. One day, he goes on vacation to a beach in Charente Maritime. He cannot swim and sees the sea for the first time. It was there that he met the director Rodolphe Marconi who decided to devote this sensitive and gentle portrait to him, plunging us into an agricultural world in crisis and into a life often lonely and made up of hard work rarely pays off.

Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.

Home

Letter Beyond the Walls reconstructs the trajectory of HIV and AIDS with a focus on Brazil, through interviews with doctors, activists, patients and other actors, in addition to extensive archival material. From the initial panic to awareness campaigns, passing through the stigma imposed on people living with HIV, the documentary shows how society faced this epidemic in its deadliest phase over more than two decades. With this historical approach as its base, the film looks at the way HIV is viewed in today's society, revealing a picture of persistent misinformation and prejudice, which especially affects Brazil’s most historically vulnerable populations.

Four siblings, whose father disappeared during Brazilian Military Dictatorship, report their childhood during the regime.

A poetic and intimate look at the life and work of photographer Luis Humberto.

Province of Lugo, Galicia, Spain. A year in the life of A Fonsagrada, a rural region whose inhabitants live both near and far from urban civilization; a praise of the distance that crosses the four seasons of the year, whose inevitable passage transforms both the natural environment and the existence of people, a simple, dignified and peaceful existence.

A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.

The documentary takes the viewer to the Polish countryside of the mid-1970s. Andrzej, Leszek, Eugeniusz, Ryszard and Jerzy are young men who dream of finding their other half. The film's protagonists have advertised in newspapers and talk frankly and without inhibition about their search and the dilemmas it involves. The picture is complemented by the statements of their parents, who watch their sons' efforts to start a family with love but also concern. The film also gives an insight into the problems farmers face - not only love but also hard work on the land awaits the chosen one of their hearts. "Either get married or quit this farm", "What's one to do on a farm?" - say the characters in the film. The countryside is not a place made for living alone.

The follow-up film to “Barstow, California” takes us to the mountains of Miyama, a remote forest and tourist area north of Kyoto. Uwe Walter, a shakuhachi player from Germany, lives there with his wife Mitsuyo for 30 years. Together with the villagers he prepares the annual Gion Festival. On the eve of the festival, the village representatives tell him that his self-built studio is to be demolished. This brings back memories for him of earlier times and his first steps as a Nō actor. In the manner of a fresco, the film interweaves rural depictions of everyday life with the story of its German protagonist. In the village community with its togetherness of generations, Uwe shares life with his neighbours, with farmers, hunters, woodsmen, poultry farmers and anglers, tills his kitchen garden, and like other tradition-conscious villagers, he also grows his rice. The film shows them in a harsh mountain landscape between the rainy season and the first snow.

Tu nourriras le monde

The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. Through experimentation and innovation, he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.

A poetic journey through the paths and places of old Castile that were traveled and visited by the melancholic knight Don Quixote of La Mancha and his judicious squire Sancho Panza, the immortal characters of Miguel de Cervantes, which offers a candid depiction of rural life in Spain in the early 1930s and illustrates the first sentence of the first article of the Spanish Constitution of 1931, which proclaims that Spain is a democratic republic of workers of all kind.

I followed the everyday lives of Ali, Kais, Ertan and Alban with my camera for over two years. The time was characterized by disappointments, conflicts and also great successes. It all began with a visit to the "Klingelpütz" youth center in the middle of Cologne. Young migrants have been meeting here for many years.

A doctor and party visit the villages of eastern Manipur in India's far north east.

Bowl de campagne