Jag Kulle

Andreas Gabalier – 10 Jahre Volks-Rock'n'Roller: Das Portrait

À la hauteur

Les dieux de Molenbeek

He was the gentle rebel of soul: Marvin Gaye, one of the greatest musicians of the 20th century. With his unmistakable voice and hits, he left an indelible mark on American pop culture—one that endures to this day.

In track and field he’s remembered as The Greatest. Athletics' first commercially global star. Away from the spotlight, his is a life often misunderstood. Carl Lewis did it his own way - unwilling to conform to what the US expected from its athletes. Lewis won nine Olympic gold medals across four Games and was voted “Sportsman of the Century” by the International Olympic Committee. Yet he refused to be pigeonholed and, in doing so, he inspired change on and off the field. I’m Carl Lewis! delves into the consequences of his uncompromising drive.

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

In this portrait film, we meet Inger Christensen in her apartment in Østerbro, Copenhagen, where she tells of her life and work, and reads excerpts from her major works.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

Herr Siebzehnrübl

Is the city of Zurich suffering from ‘density stress’? What is it like to live in mega cities such as São Paulo, Mexico City and Tiflis? Filmmaker Thomas Haemmerli broaches the topics of city development, architecture, density, housing market, xenophobia and gentrification from an autobiographical perspective. The path of his life has led him from a childhood in the villa district of Zürichberg, through his teenage years as squatter to flat shares, yuppie apartments and finally second homes in various cities. Only recently having become a dad, he plans to further enhance Zurich’s price appreciation by purchasing a huge, extended city apartment… This multifaceted essay not only humorously questions the filmmaker’s decisions, but also those of the right-wing conservatives, who are afraid of losing their space to immigrants, and the political left, who fail to embrace modern-age architecture.

Once thriving, a dead mall in upstate New York is now home to a ragtag flea market, living proof that the American Dream is in perpetual decay. Blending vérité with a stylized wit, this heartbreaking portrait raises questions about our disposable culture through the unfiltered lives of its eccentric community.

The Finnish modern dancer Noora Hannula dances through this documentary film in her own explosive style. Noora’s life has always been very connected to the artist environment with her grandfather, Simo Hannula, who throughout his entire life dedicated him fully to his art. Noora and her grandfather crossed paths when Noora used a picture of his dead body in her show and now we meet Noora working on her newest show: The Era of No Talent Rising, while she is trying to figure out where her own limits are.

In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.

Malandain, quand l'amour prend corps

Annedore takes care of orphan birds. They give her that which humans througout her turbulent life could never give her: love.

A man tells the story of his three cats.

Hugues Aufray, l'éternel jeune homme

A self-narrated portrait of a Polish immigrant in Winnipeg whose unglamorous job keeping streetcar switches working reveals dignity, resilience, and pride in everyday labor.

The film approaches the work of the Greek artist Nikos Koniaris. The particular way in which the painter depicts human suffering is presented through a film - a hybrid of real recording and directed material. The grief, the sick body, is reflected in self portraits, portraits of dying strangers and paintings of dead models. The paintings, apart from his work, also express a different version of himself. All together contribute to the depiction of man as a "garment of pain".

Sien (74) leaves for her hideout on the captivating island of Vlieland. Here she recollects her memories on an old tape recorder of her turbulent life as a mother, life-drawing model, squatter and activist in Amsterdam in the sixties.