Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.
Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.
A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.
Tom, famous baritone Signor Thomasino Catti-Cazzaza, enthralls a concert audience with his rendition of "Largo al factotum", from Rossini's "Il Barbiere di Siviglia", while Jerry strives for sleep under the stage.
Isabella is a strong, independent woman who has no intention of giving in to the clumsy advances of the powerful Mustafà. In the production by BAFTA winners Mosh Leiser and Patrice Caurier, which plays with prejudices about clashing cultures, Mustafà is no longer an Ottoman bey, but a shady gangster who traffics electronic goods in the port of Algiers.
Rossini: La Gazza Ladra - Teatro alla Scala
Rossini: L'inganno felice - Rossini in Wildbad
Figaro uses every trick he can muster to outwit Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the would-be-bride Rosina, who has schemes of her own. Glyndebourne favourite Danielle de Niese adds the crafty Rosina to her growing list of bel canto heroines. Directed by Annabel Arden with playful energy springing from Rossini’s joyous music, this new production heralds the welcome return of a masterpiece not seen at Glyndebourne Festival since 1982.
A look at the life of jazz singer Mildred Bailey.
Napoli milionaria!
Tahsin has been working as a gardener for the Altınel family for many years and falls in love with Ayperi, a beautiful maid who has been working in the house for five months. When the family, who owns the house, goes on vacation, Tahsin finally gets the chance he’s been waiting for to confess his feelings. However, everything changes when Timuçin, the mischievous son of the house who didn’t go on vacation with his family, suddenly comes home in the middle of the night with his friends to throw a party.
Beatrice, a gynecologist seeking escape in Berlin’s club scene, and Alex, a defiant trans club manager juggling parenthood and protest, begin to fight for the right to their bodies and discover unexpected support in each other while facing difficulties of what is expected of them. Although they could not be more different, a close friendship develops between them, which soon ends up in a new understanding of what family means.
An anxious Catherine is unable to communicate with her five year old daughter. Can she discover a new way to connect to her at a busy casino party?
An innocent father and his blind daughter with a doll spend their days within the walls of a bunker during the final stages of civil war in Sri Lanka. The surprising third character connects the father, daughter and the doll in a sorrowful manner. The blood tears they shed during the darkest hours are unheard by many. The characters represent the current stages of the tamils in Sri Lanka. The ones who died, disappeared and the living dead.
Zewel, a firestarter with 15K TikTok followers plans to become an influencer in Qatar with his brother. But when Zibon is arrested for selling drugs, Zewel's dreams are dashed. He crosses into India where greater misfortune awaits.