Rossini: L'inganno felice - Teatro Fraschini di Pavia

In late 18th-century Italy, in the mansion of Don Magnifico, the young and pretty Angelina works as a maid. Teased by her two frivolous half-sisters, Clorinda and Tisby, Angelina believes she is in love with a young valet and goes to the ball. Dressed in her finest finery, she meets the man who is in fact the Prince and flees from him after giving him a bracelet that will allow him to recognise her a little later. The masks come off, and kindness and love triumph! ‘La Cenerentola’ is the last opera buffa composed by Gioachino Rossini for an Italian audience. A dramma giocoso in two acts, with a libretto by Jacopo Ferretti, freely adapted from Charles Perrault’s fairy tale ‘Cinderella’ (1697), omitting the magic in favour of a realism tinged with humour and social criticism. Premiered for the Rome Carnival at the Teatro Valle in Rome on 28 January 1817. Recorded live at Glyndebourne Opera, Lewes, East Sussex, on 2 and 4 June 2005.

Figaro uses every trick he can muster to outwit Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the would-be-bride Rosina, who has schemes of her own. Glyndebourne favourite Danielle de Niese adds the crafty Rosina to her growing list of bel canto heroines. Directed by Annabel Arden with playful energy springing from Rossini’s joyous music, this new production heralds the welcome return of a masterpiece not seen at Glyndebourne Festival since 1982.

Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.

Rossini: L'inganno felice - Rossini in Wildbad

Rossini: La Gazza Ladra - Teatro alla Scala

Isabella is a strong, independent woman who has no intention of giving in to the clumsy advances of the powerful Mustafà. In this production by Mosh Leiser and Patrice Caurier, which plays on preconceptions about culture clash, Mustafà is no longer a handsome Ottoman, but a shady gangster who traffics in electronic goods in the port of Algiers. Make of it what you will...

Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.

In 1810, Mustafà, Bey of Algiers and thoroughly fed up with his wife, the docile Elvira, orders the captain of the corsairs to find him one of those feisty Italian women. It turns out to be Isabella, an Italian woman of unparalleled beauty searching for her fiancé Lindoro, whom Mustafà happens to be holding captive in his seraglio. The Bey intends to give Lindoro to his wife Elvira, hoping to get rid of him once and for all. Isabella, accompanied by her annoying suitor Taddeo—whom she passes off as her uncle to save him from the gallows—relies on her powers of seduction. “L’italiana in Algeri” (The Italian Girl in Algiers) is a two-act dramma giocoso (opera buffa) by Gioachino Rossini, with a libretto by Angelo Anelli. It premiered at the Teatro San Benedetto in Venice on May 22, 1813. Recorded in the studios of Radiotelevisione Italiana (RAI) in Milan on July 10, 1957.

A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.

Tom, famous baritone Signor Thomasino Catti-Cazzaza, enthralls a concert audience with his rendition of "Largo al factotum", from Rossini's "Il Barbiere di Siviglia", while Jerry strives for sleep under the stage.

The bond between a sister and brother remain strong through all of life's ups and downs.

Vera is eleven years old and after the death of her parents she lives with her grandmother. She doesn't understand her at all, doesn't recognize her as her beloved son and is terrified of the genes of her daughter-in-law, who was "just" a saleswoman. Vera prefers to escape into her own world, where she doesn't hear her grandmother's lamentations, ponders good and evil, and her balls become Spanish nobles...

A young woman, Veera, revolves around musician Janne. Janne is not interested, but what happens when Janne can't escape the situation.

Finally comfortable in his skin, seasoned comic David A. Arnold shares his talent for doing nothing, how he's petty and why divorce saves marriages.

One of the best known and classic Philly soul groups captured live in concert in Norfolk, Virginia in 2005.

Arrêtez d'filmer la Gova

An ex-crack who lives off the memory of a goal that he scored against the Uruguayans lives in Montevideo an adventure with a young millionaire.

One room, a reporter, and a convicted criminal. What begins as an interview turns into a tense face-off that exposes a chilling truth.

The main character, Laura, has a sexual dysfunction, and this is not helping her in the romance stakes. Neither a counsellor nor the lesbian recruitment centre can provide answers. Only when Laura meets the right woman do things start looking up.

Tony Clifton's Movie! is a verite-style comedy film shot in Los Angeles and Las Vegas by Clifton (Bob Zmuda) and a handful of famous friends, around the time of the production of Miloš Forman's Man on the Moon. Clifton self-published it on limited-edition DVD, and self-distributed to a small handful of attendees of the "Andy Kaufman: Dead or Alive?" show at the House of Blues in Hollywood, California on May 16, 2004.