Doors and Windows

Marepe, an artist from Bahia, produces art with anything he comes across in the town he lives in, Santo Antônio de Jesus. Packs of cigarettes, coconut palms, walls, and memories taken from the streets, go into putting together a personal archeology for this young artist.

Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.

A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.

The diversity of Wayne McGregor's astonishing talent is demonstrated through Chroma, Infra and Limen, each created for The Royal Ballet, for whom he is resident choreographer. Intimate yet universal, light yet dark, frenetic yet lyrical, McGregor pursues his passion for exploring the inner workings of the human body and mind, his many-layered and beautiful dances providing visual, sensual and kinaesthetic stimulus for the viewer. Works: Chroma (Talbot; White III); Infra (Richter); Limen (Saariaho).

The film explores the sexual aspects of Serbian folklore. Ancient myths that have trickled into everyday household remedies or explanations are juxtaposed with the joys of the female and male sexual forms from which all human life originates. Functioning as both sexual liberation and reinvented modern myth, Balkan Erotic Epic is a display of the need for a cultural change in viewpoint around sex.

Centered on Recife's LGBTQ + electronic scene and the dynamics of its party production, FRERVO is a documentary that follows the experience of the people who organize these events in parallel with the performance experiences developed there. The relations between the existence of these bodies and what they cause in the urban space demarcate the political territory they occupy.

When young Joshua learns that he will be going on vacation with his family to a small town called Nilbog, he protests adamantly. He is warned by the spirit of his deceased grandfather that goblins populate the town. His parents, Michael and Diana, dismiss his apprehensions, but soon learn to appreciate their son's warnings. Guided by his grandfather's ghost, will Joshua and his family stand a chance in fighting off these evil beings?

In the occupied Netherlands near the end of WWII, a young teenager, Jeroen Boman (Maarten Smit) is sent to the Dutch countryside to avoid the war in Amsterdam. While living with his adopted family, Jeroen meets and becomes friends with a Canadian soldier named Walt Cook, who is stationed at the same town he is staying at. Joroen and Walt spend a lot of time playing around and eventually a romantic relationship develops between them. The boy’s sexual curiosity leads him to have a sexual experience with Walt, an encounter that is shown with some vague detail but without actually showing any nudity, even though sexual intimacy between the two of them is implied. Overall, the movie handles this difficult subject with an elegant style and feeling, without having the adult-child relationship overwhelm the viewer and thus allowing the movie to be seen as just a wartime relationship between two people that marks an important time in a young boy’s life.

Tony spends his Saturdays at a disco where his stylish moves raise his popularity among the patrons. But his life outside the disco is not easy and things change when he gets attracted to Stephanie.

My Body Is Not My Home is a 3D animated short film following the journey of an uncanny simulacrum who undergoes the process of becoming the ‘Other’.

THE ARTIST AND THE FORCE OF THOUGHT, reflects the relationship between balance and imbalance within the partiality of movement of the dancer Marcos Abranches. It oscillates the body to wake up from the emptiness and isolation caused by the imbalance. The movement's lack of aesthetics is felt by abandonment and rejection, understanding that relief is in the support of love. Investigating body movement in a world without anguish, without pain, without despair. Search for life. Find in dance the balance of the body and the beauty of the soul.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

The documentary portrayed one of the most established dance companies in Hong Kong which has a history of over four decades. With a tradition of blending Chinese dance and ballet together in the training, the dance company has set sail to re-evaluate its artistic essence by adapting new physical disciplines and philosophy, picking up different cultural traces, meditation and Chinese martial arts. Through monologues of the company members, the film unveiled their fears, self-doubts, and findings in their quest to refine their dance forms and express their cultural roots. It's an uncertain journey towards the cultivation of inner peace and the essence of movement and stillness.

A mockumentary following an ambitious TV network executive trying to produce a controversial reality show where contestants play Russian Roulette.

Purfled Promises was a work of expanded cinema. Two neo-drag entities entered the cinema and held a screen in front of the auditorium's red curtain on which a video was shown that consisted entirely of zooming shots of veils revealing more veils, increasingly baroque in nature until a voice over addressed the audience directly. As we'd been watching these 'reveals' it told us that what we hadn't noticed was the screen itself which was moving slowly closer towards us. At which point we did notice this and the screen kept on coming, its supporters clambering over the cinema's seats and audience's heads, finally laying it down on top of half a dozen of them who had to struggle out of it as the cinema lights came on.

In 2003, Dutch artist Iepe Rubingh became the first World Champion of Chessboxing. This brain-busting combination of alternating rounds of chess and boxing was in fact an art performance calling for more balance in a world of extremes, and the audience reaction was so electric that it inspired Rubingh to push it as a real sport. Rubingh’s methodical ability to achieve balance in the ring is put to the test outside of it when impulsive British TV Producer Tim Woolgar takes up the sport and his opposing vision for success creates a rift between them, endangering chessboxing’s future.

Identically dressed and with sibling-like resemblance, performance artists Trevor Martin and Kym Olsen shift between spoken word and athletic dance choreography in a collection of 29 scenes. Set in various locations - including a gymnasium, an abandoned hospital, and a trailer park circus - Martin and Olsen slip between a ventriloquist and his dummy, a seducer and his surrogate, a doctor and his patient, and synchronized dance partners. The film examines a complex social psychology - questioning the colonization of the human body for various political, medical and religious agendas.

The heroic Leonidas, armed with nothing but leather underwear and a cape, leads a ragtag group of thirteen Spartans to defend their homeland against the invading Persians (whose ranks include Ghost Rider, Rocky Balboa, the Transformers, and a hunchbacked Paris Hilton). No one is safe when the Spartans take on the biggest icons in pop culture!

A brother and sister dance act encounter challenges and romance when booked in London during the Royal Wedding.

DVD accompanying the book "Coyote III", documenting Joseph Beuys and Nam June Paik performing at the Sôgetsu Hall in Tokyo on the 2nd of June 1984. Nam June Paik sits on one side of the stage playing European classical music, improvisations and Japanese folk music. On the other side, Joseph Beuys acts out experiences from living in an enclosed space with a coyote - a free man who turns back into an animal, into a form of life that he understands as a prerequisite for this freedom