Mijn naam is Stefano Keizers

In his stand-up show 'Oorverdovend,' Javier Guzman finds humor in such serious topics as his rough childhood, intolerance and our drifting society.

Dutch comedian Yora Rienstra talks and sings about her life. After reaching the age of 37, Yora Rienstra starts doubting about her purpose. She decides to take a sabbatical to figure things out. Inspired by the book by the Dalai Lama that she got for her birthday, she sets herself the goal of doing things she fears.

Registration of the theater program by the Dutch comedian Brigitte Kaandorp.

Registration of the theatre program by the Dutch comedian Brigitte Kaandorp, about the celebration of the centenary of the Mea Culpa College. Rector Cornelis Putman (played by Bert Klunder) presents the festive evening, on which teachers and students perform fun acts, fine dances and beautiful songs. Including the ABC of Madame Manshanden, Wagner's Die Walküre in the adaptation of Brünhilde Putman Braun and a series of chanson classics in the interpretation of Mireille François, the French teacher.

Registration of the theatre program by the Dutch comedian Brigitte Kaandorp.

Ton Kas: Jabroer

Registration of the seventh theatre program by the Dutch comedian Claudia de Breij.

Herman Finkers: Oudejaarsconference 2015

Urbanus: Zelf!

Martijn Koning: Sint & Nieuw 2015

Maarten reflects upon everything that has happened in 2012.

Javier Guzman: Lief & Laf

Wim Helsen Heden Soup! HOMELESS, KINGS, SAINTS AND COLD WATER FISHING: They all eat soup. Also mistresses love soup. They eat them with spoons, some dip bread in it or slurp on the edge of their soup bowl. One can of doing anything. Tomatoes, leeks, pumpkins, chicken. But loving thoughts, secret messages and mushrooms are allowed. And say nothing of balls. In mysterious faraway places there that make soup from nettles. Dogs bark for soup. One gets it warm from the inside (in his body).

Oudejaarsconference 2010: Gedoog, Hoop & Liefde

Registration of the fifth theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. Two old friends meet in a Dutch park.

Registration of the second theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. In their first program, the two comedians limited themselves to the earth and the strange peoples who inhabit it. In their second program they expand their explorations into the world of the unseen, where they test their strength with astrologers, illusionists, millennium preachers and similar figures. What mechanisms drive people to believe in supernatural madness, and to derive pleasure and comfort from it? Have we made any progress in the twentieth century? If Darwin, Freud and Einstein opened humanity's eyes, then a hundred years later there will be enough volunteers to close them again. Van Muiswinkel and Van Vleuten argue about it for a long time during this performance.

In his first comedy special the Flemish comedian Pieter Verelst tells a bizarre story about his childhood, which he spent with his brother (existing or not) in a boring village in Flanders. Together they tackle this dullness and use it as a source of inspiration for a strange creativity.

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.