Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.
Ethel, whose financially distressed parents depend on her marrying into wealth, may be forced to abandon the man she loves for her father's rich friend.
God and Satan wager on the soul of a learned and prayerful alchemist as part of their eternal war over Earth.
Two friends, Fritz and Theodor, make the acquaintance of Christine and Mizzi, who are also friends. Fritz is immediately captivated by Christine, who is bashful and modest as opposed to the eager, effervescent Mizzi. But even though the love between the two grows, Christine is not the only woman in Fritz’s life. His affair with a married woman will prove to have fatal consequences.
Therese Roger, daughter of a West Indian planter, whose parents are murdered while she is a baby, becomes the adopted daughter of her aunt, Madame Roger, keeper of a haberdashery shop in one of the smaller villages in southern France. She grows up with Camille, Madame Roger's son, a sickly, sexless creature, whom she ultimately marries in deference to her aunt's wishes.
Victor Stowell, son of the deemster of the Isle of Man, is engaged to Fenella Stanley. He becomes involved in an intrigue with local girl Bessie Collister, becomes the deemster on his father's death, and is forced to try Bessie for killing her illegitimate child.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
The story of the life and passion of Jesus Christ, from the proclamation of his birth to his ascension into heaven.
Mark Reid, a young prospector, discovers gold in the Sierra foothills. He meets an old man known as "The Good Samaritan," who counsels him and welcomes him into his home. While he is away registering his claim, another prospector, Mike O'Hara, comes along, and, seeing no one around, takes possession of the gold mine. When Reid returns, the two engage in a struggle. As Reid is about to be overcome, an Indian slips a dagger into his hand. Reid is about to stab O'Hara when The Good Samaritan appears and stops the fight. Reid and the O'Hara set aside their differences and decide to become partners.
Danish adaptation of Trilby. Presumed lost, though a single still apparently depicting the novel's climax survives.
First installment of the Tense Moments with Great Authors series. Presumed lost.
British adaptation of Trilby filmed in Kinemacolor. Presumed lost.
A bride who discovers during her wedding ceremony that her husband-to-be has fathered a child out of wedlock with another woman.
The Moon Beauty
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.
The devil is bored in his kingdom. He makes up his mind to descend to earth and get familiar with the kind of life people lead. He chooses the city of Sofia for his excursion. His first contacts are by no means encouraging. Strolling along the streets in the capital in his outlandish Mephistophelean costume, he is chased and stoned. Then the devil puts into operation his tiny machine for printing money. Dressed in the latest fashion he continues his walk unmolested. Money opens the doors of the richest homes for him and he soon becomes a member of the capital city's high life. The devil chooses a prostitute as his partner, who introduces him to her family. The father is a thief and a drunkard so that the mother is forced to be the bread-winner. Satan and the prostitute find themselves in the whirl of easy life.
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
Gambler "On-the Level" Leigh (William S. Hart) is forced to leave his high rolling lifestyle to move his ailing sister Alice (Mildred Harris) to the healing climate the mountains. Financial strain compels him to resume his favored vocation. Unfortunately for Level, the dance hall girl Coralie (Alma Rubens) doesn't take rejection well and convinces the dealer to clean him out with a "cold deck". A desperate robbery ensues, leading to Level wanted for murder!