The Greatest Thing in Life

When Charles Hale is visiting his mistress, Sybil Russell, he is shot in the arm by Sybil's estranged and outraged husband. Hale's daughter, Marjorie, is so shocked to discover in this abrupt fashion her father's philandering that she leaves her wealthy home and goes to the slums to do settlement work. Marjorie, who is engaged to the district attorney, is there placed in a compromising position by her father's assailant, who intends to revenge himself upon the entire Hale family.

The niece and nephew of an eccentric millionaire try to get a share of the now deceased millionaire's inheritance from his adopted son who delights in squandering it. Considered lost.

Sculptor Leonard Hunt is urged by his wife Vivian to compete for a million dollar prize competition for a Victory Memorial commemorating the First World War. Sylvia Morton models for Hunt, and they become romantically involved. In an attempt to save her marriage, Vivian persuades him to close the studio and go on a second honeymoon. But Hunt is unable to forget Sylvia, so he leaves Vivian. Vivian threatens to kill Sylvia unless she promises to give up Hunt. Months later, Hunt returns, remorseful and begging forgiveness, saying that Sylvia has married someone else.

Doris Poole, whose parents were theatrical people, was orphaned as a child, and four members of the troupe adopted and raised her. When grown, she has become the leading lady in a San Francisco stock-company. She meets and falls in love with Ted, the millionaire son of a rich widow, but she thinks he is only a tax-cab driver. His mother objects to the romance and looks into Doris' past. She learns that her father had murdered, in a fit of jealousy, her mother, and tells Doris what she has found out. The four actors who had raised her had never told her how she happened to become an orphan. They persuade Ted's mother to send him on a voyage to the Orient in order to get him away from Doris. But they neglected to tell the mother they had also booked passage for Doris on the same ship.

Nara, the daughter of a wealthy Russian killed by the Bolsheviki, flees to America and meets Adam Pine, a sculptor, who marvels at the beauty of her hands. Through him she meets Mrs. Vanessa Yates, a patroness of the arts, and Dr. Emlen Claveloux, who is completely absorbed in science. Connor Lee, a fake spiritualist, persuades her that she has a God-given power to cure ill people, and profits financially by her success in this work. This brings her into conflict with the physician, whom she loves, but her faith in the power of will and her beauty of character finally teach him that faith is at least an important adjunct to medicine.

Margaret Case seeks to live down the errors of the past, and in marriage finds happiness and security until her enemy again crosses her path and she realizes that life is like a house of glass where there is neither security nor seclusion.

Aurora Fernandez, a poor Cuban girl, is persuaded against her will to become betrothed to Don Armada, a wealthy Cuban. She loves Pedro, a young fisherman, who lives with his uncle, Father Venture, and his sister Celida, who has been secretly stealing to Don Armada's villa, but is cast off by him on his engagement to Aurora. Longing for a sight of Pedro, disguised as a dancing girl, Aurora goes to an inn where Pedro comes with other fishermen for a nights revelry.

At the death of John Gower, his widow and daughter, Mildred, find themselves with only a few thousand dollars, as the family lived almost up to the limit of Cower's income. Mildred's mother tells her it is necessary that she marry money. Mildred is fond of Stanley Baird, but her hopes in this direction are shattered by the announcement of his engagement to another woman. Mrs. Gower marries Presbury, an elderly man who thinks she is wealthy, and when he learns the truth he begins taunting Mildred until she is willing to do anything to escape from her humiliating position.

A Russian peasant girl becomes a member of the Imperial Ballet.

An Orphan’s Cry

Gamblers Dave Hume and Ed Felton are rivals for the love of Babe Lennox, a chorus girl. Hume informs on Felton, and though the latter is arrested he is released on bail, and Talbot, the attorney, warns Hume to stay clear of him. Hume, who is in ill health, determines to commit suicide, making it appear that Felton killed him; and (concealing a record of his plans on a small statuette) he makes a wager with Felton that he can do so.

A poor but honest sheet-music salesman is parted from his wealthy fiancée when she mistakenly comes to believe he’s nothing but a gold digger. But circumstance places him on the board of an exclusive girls’ school, where he can prove his integrity as well as his love. This film is believed lost.

Homesick for America, Jack and his pals get aboard a ship U. S.-bound disguised as entertainers. As entertainers they're flops, but evoke considerable mirth among the passengers by their efforts. Jack arouses the jealousy of a Frenchman, who is keen on a young French girl, and is challenged to a fight. The Frenchman fights a la Savatte (the French method, including kicking, bucking, etc.) and is getting the better of Jack, until the latter dons a pair of hobnailed brogans. He consents to remove these if his adversary will put boxing gloves on his feet. The Frenchman gets seasick and is counted out as he leans over the rail, where he is soon joined by Jack.

The brute is a gambler, boxing manager and underworld boss who mistreats a young woman. She is forced into marriage with him for money after her original fiance is thought dead. When that man returns, he attempts to rescue her.

Rena is a young woman of mixed race. Although she is romantically pursued by an upwardly mobile African American named Frank, Rena does not decide in his favor. Her appearance allows her to pass for white, as she is of majority European ancestry, although she has grown up in the black community. She meets and falls in love with George Tryon, a young white aristocrat. But as their relationship deepens, Rena believes she has to acknowledge her African ancestry. Considered a lost film.

Jack is just a cowboy on the Gilman cattle ranch. Born and bred of the west, he is broad-mined and easy going. In direct contrast to him is Frances, a girl of the east, who comes to the west with Gilman's daughter. Frances has been born and brought up in wealth and culture and does not understand the cowboy who refuses to cater to her whim but who tries to dominate her. Later, when he proposes to her, she accepts him. She leaves for the east, promising to marry him when her course at school is finished. Jack sets about to build a cabin for their home. While at her home in the east, Frances is constantly being urged by Raymond Welton, a club man, to forget the rough cowboy, and to marry him.

James Oliver, has a delicate little wife about to become a mother. Their family doctor advises Oliver that he must not become engaged in any physical encounter or get hurt in any way or it would kill her. Soon thereafter Oliver is at the bar when a rough patron of the place invites him to drink. Oliver declines and on insistence by the rough, asks for soda water, which the rough throws in Oliver's face in disgust. Forced to fight or acknowledge himself a coward, Oliver admits cowardice. They all jeer him, when an old man a quiet spectator of the scene, tells the following story visioned in and out in pictures. He takes for his text the statement that, "No man who will admit that he is a coward for a principal is one". He depicts the story of a young man, Thomas Marsh by name, who had a feeling of fear born in his physical being.

Tommie Burke is a tomboy, and she can braid a hackamore, rope a steer, ride a broncho, or do any of the things cowboys usually accomplish. Arnold Blake, son of the wealthiest cattleman, is her companion on many wild rides and innocent escapades. Away back in the back bay district of Boston, Charles Percival is starting for the west, with out the farewells of an uncle and two stern maiden aunts, who feel that he has disgraced them forever by his reckless habits. About the time he arrives at the Burke ranch, the latter receives his New York sister and her daughter Mabel.

John Dale runs a small, decent road house on a main trail between distant towns. Nell is his right-hand man. Nell has a half-witted brother, Zeb. She keeps their house and tends the small bar in Dale's absence. Zeb is trusted only with simple, odd jobs about the place. Nell is self-reliant and well able to hold the guests of the place at their proper distance. She is devoted to her incompetent brother. Bart Trevis and young Remsen are rivals for her favor. Trevis is favored and Remsen is not. Through circumstantial evidence Trevis is involved in a crime, Though innocent, he dare not risk standing trial. He escapes to the road house, tells Nell of the fix he is in and asks her to jump the country with him. He remains hidden there for the day, Zeb nearly betrays him while the pursuing sheriff and his son also stop at the road house. But in the end Zeb makes a supreme sacrifice and Nell runs away with Bart at nightfall.

Margot Sperry, who keeps house for her guardian, a professor who wants to revert to primitive modes of living, finds it difficult to find food in the winter wilderness and resorts to pilfering from the Bates's winter camp. Divvy, engaged to a girl he does not love, meets Margot on one of her raids and falls in love with her. Baptiste, a half-breed employed by the Bates family, is discharged for stealing and burns the camp, driving the family to refuge with Margot. Elsie, hoping to regain Divvy's affections, dresses in boyish clothes similar to Margot's. Joining forces with Baptiste, they capture Margot, and Baptiste takes her in a canoe downstream. Realizing her mistake, Elsie warns Divvy, who bests the half-breed and then rescues Margot from the falls. A lost film.