A refined criminal keeps his life secret from his daughter. When he gets trouble from the police after shooting one of his underworld associates, he enlists in the US Army and goes to fight in France during World War I. While in France, he serves alongside a young man who is in love with his daughter.
Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.
The brute is a gambler, boxing manager and underworld boss who mistreats a young woman. She is forced into marriage with him for money after her original fiance is thought dead. When that man returns, he attempts to rescue her.
Rena is a young woman of mixed race. Although she is romantically pursued by an upwardly mobile African American named Frank, Rena does not decide in his favor. Her appearance allows her to pass for white, as she is of majority European ancestry, although she has grown up in the black community. She meets and falls in love with George Tryon, a young white aristocrat. But as their relationship deepens, Rena believes she has to acknowledge her African ancestry. Considered a lost film.
A Russian peasant girl becomes a member of the Imperial Ballet.
An Orphan’s Cry
Drama of Indian life depicting Young Deer and Red Moon in a story about bravery.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
A British army officer refuses to avenge the death of a general who was murdered years earlier. He is awarded three feathers by his officers. When his fiancée fails to defend his stance, he plucks a feather from her fan. He proves his courage by rescuing his comrades in dangerous and life-threatening situations. Later he returns each feather as proof of his redemption and courage.
Audiovisual view for decisive days in a life of a lightly hearing person.
A convict being transported to Australia from England in the 1800's saves the life of a young girl during a shipwreck. Ten years later in England, she meets a brilliant attorney with secrets in his past.
Homesick for America, Jack and his pals get aboard a ship U. S.-bound disguised as entertainers. As entertainers they're flops, but evoke considerable mirth among the passengers by their efforts. Jack arouses the jealousy of a Frenchman, who is keen on a young French girl, and is challenged to a fight. The Frenchman fights a la Savatte (the French method, including kicking, bucking, etc.) and is getting the better of Jack, until the latter dons a pair of hobnailed brogans. He consents to remove these if his adversary will put boxing gloves on his feet. The Frenchman gets seasick and is counted out as he leans over the rail, where he is soon joined by Jack.
Марионетки рока
Margot Sperry, who keeps house for her guardian, a professor who wants to revert to primitive modes of living, finds it difficult to find food in the winter wilderness and resorts to pilfering from the Bates's winter camp. Divvy, engaged to a girl he does not love, meets Margot on one of her raids and falls in love with her. Baptiste, a half-breed employed by the Bates family, is discharged for stealing and burns the camp, driving the family to refuge with Margot. Elsie, hoping to regain Divvy's affections, dresses in boyish clothes similar to Margot's. Joining forces with Baptiste, they capture Margot, and Baptiste takes her in a canoe downstream. Realizing her mistake, Elsie warns Divvy, who bests the half-breed and then rescues Margot from the falls. A lost film.
The young Anselmus Aselmeyer fulfilled a long cherished dream: He travels to Venice, the city of his dreams. Once there, the porter Pipistrello directs him immediately to the hotel of his boss, and Anselmus lands in the middle of a wedding party. Mestre Mangiabene, a wealthy oilman, marries the beautiful but completely depleted Marchesina dei Bisognosi. But the secretly loves an officer.
When Arthur Gilpin, a black night watchman, finds young Myrtle Gunsaulus mysteriously murdered in the basement of a factory, he is charged with the crime. The film is now believed to be lost.
Myrtle Downing, an African-American woman, is coerced into marrying a corrupt would-be politician named Gyp Lassiter, even though she is really in love with Stephen Cameron, a young lawyer. When she discovers that her husband has conspired to support segregationist policies in exchange for support by white political power brokers, she objects to his crooked dealings and gets herself imprisoned in a secret dungeon where her husband had murdered his previous wives. Presumed to be a lost film.
Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film. The 1922 film The Hypocrite was shown within Deceit as a film within a film.