Adam and Eva

When an Italian man comes out of the closet, it affects both his life and his crazy family.

Jacala, a strong-willed, temperamental ranch girl, inherits her father's millions and moves from Montana to New York, determined to earn a place in society.

Having been misinformed that all French girls are morally suspect, American soldier David Kendall (Edwin August) is in for quite a shock when he's shipped Over There. After meeting several "nice" Frenchwomen, David returns to the states with a whole new perspective on things. It isn't long before he falls in love with Nenette (Carmel Myers), the daughter of French-born restaurateur Armande Bisson (Andrew Robson). But when Nenette is implicated in a murder, the disillusioned David instantly repudiates her -- and by extension, all Daughters of France.

A wealthy family is thrown into turmoil when the daughter falls for the family chauffeur and the son begins to keep company with a chorus girl.

Mabel has two suitors, Smith and Jones. Smith is an elderly man who impetuously sweeps everything before him, and his dashing ways win Mabel's heart. Poor Jones is downcast when he learns that Mabel is to marry Smith, and follows Smith home. He learns that Smith is already married and has ten little children.

His subjects have been vainly petitioning the king for improvements in his reign, without avail. The king pays too much attention to the sweetheart of a country bumpkin who shows his resentment by chasing his royal highness with a pistol and perforating the royal legs. The king takes refuge in the top of a tree, from which ignominious position he is finally rescued by his courtiers. In consideration of the bumpkin promising not to tell the queen of this latest escapade, the king grants the petition of his subjects.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

George is addicted to the flowing cup, and his friends all try to reform him. His intentions are good, but his will is weak and he cannot resist the companionship of bibulous friends. Drastic measures are resorted to, to cure him. One of his friends dresses as a woman, who presents a fierce aspect. When George awakens he is told that while under the influence of liquor he has married his woman, and she proceeds to assert herself. George is in a terrible mental state, but finally he sees the shoe of the "woman" who has forgotten to change those pedal protectors, and the scheme dawns upon him.

Mr. Nelson is a "newlywed" and carries his darling wife's picture with him always. However, he almost falls for the temptation to go to the mask-ball, inviting an erstwhile lady friend to go with him, telling her that he would dress as a pirate and she to go as a Spanish gypsy. At the sight of his wife's portrait, however, he realizes his intended wrong-doing and changes his mind, asking a friend to go in his stead. The office boy mixes the letters and wifey gets the one he intended for the girl, and she goes to catch her erring hubby. So while hubby waits at home, wifey is keeping her eye on the bold, bad pirate she believes to be her husband.

Tonya Korovyak dreams of being a superstar. Dreams of fame, fans, applause and a white limousine became her obsession. If at one time ambitious girl mastered the basics of noble manners at the guest house, now to achieve this goal Tonya's going to go to study on "Factory of stars." Her father Korovyak - the owner of a large supermarket chain - he is crazy about the "creative ideas" of his little daughter, that will not tell about the aunt.

A young man spurs romance and helps his friend and himself go through the struggles of their ordinary life in Denmark.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

In a quiet summer corner of Wiltshire that is forever England, David and Janet decide to tie the knot. Unfortunately this is the cue for everyone else to take over proceedings, to the dismay of the couple and the increasing despair of Janet's father.

Arnold is a gay man working as a drag queen in 1971 NYC. He meets a handsome bisexual man.

When Hamlet discovers his father’s deceased body, he finds himself pulled into a power struggle as his scheming uncle attempts to secure a monopoly on the Scandinavian rubber duck industry. Will Hamlet avenge his father? Will he become the king of rubber ducks? Does any of it really matter?

Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.

Roberto Bolle smuggles himself as a stowaway on an ocean liner that of Hamburg gen New York sets sail. On board is also his lover Barbara Shadwell, whom he wants to marry, but who, at the request of her mother, the syrup millionaire Ceila Shadwell, should marry the oatmeal millionaire David.

Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

1925 Mack Sennett Comedies production three-reel short.