Pretty Ladies

In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.

Newlywed carnival performers decide to try their luck in New York, but their marriage begins to crumble when their careers take separate paths.

Stuffy amateur director Eddie Dolan decides to mount a show for the well-connected patrons of a posh country club. Eddie and his girlfriend, actress Ann Stallings, hope the production will launch their legitimate Broadway careers. But complications arise when Maxine Whitaker, daughter of a wealthy rival club owner, becomes romantically interested in charming Eddie.

After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.

It's five years later and Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenger yet - making it as a dancer on the Broadway stage.

After young playwright, David Shayne obtains funding for his play from gangster Nick Valenti, Nick's girlfriend Olive miraculously lands the role of a psychiatrist—but not only is she a bimbo who could never pass for a psychiatrist—she's a dreadful actress. David puts up with the leading man who is a compulsive eater, the grand dame who wants her part jazzed up, and Olive's interfering hitman/bodyguard—but, eventually he must decide whether art or life is more important.

A farmer from Vermont travels to New York and becomes a successful singer in a nightclub.

The second television adaptation of Once Upon a Mattress was broadcast on December 12, 1972, on CBS. This production, videotaped in color, included original Broadway cast members Burnett, Gilford and White, and also featured Bernadette Peters as Lady Larken, Ken Berry as Prince Dauntless, Ron Husmann as Harry, and Wally Cox as The Jester. It was directed by Ron Field and Dave Powers. Again, several songs were eliminated and characters were combined or altered. Since the parts of the Minstrel and the Wizard were cut from this adaptation, a new prologue was written with Burnett singing "Many Moons Ago" as a bedtime story.

An aggressive agent turns a hotel porter into an overnight sensation.

A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.

A Broadway director rescues a starlet from mobsters who blame her for a shooting.

From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.

A Broadway choreographer gets drafted and coincidentally ends up in the same army base as his object of affection’s boyfriend.

Wildly optimistic chatterbox Eva Lovelace is a would-be actress trying to crash the New York stage. She attracts the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom, or will she fade like a morning glory after its brief blooming?

A pair of slick Broadway producers con a wealthy cowboy into backing their show.

Third in the Nunsense series of musicals.

James Lapine's tribute to a life in the theater based on Moss Hart's autobiography of the same name, starring Tony Shalhoub and Andrea Martin. The play, narrated by an older Moss Hart, traces his life from being poor in The Bronx to becoming famous and successful as a Broadway writer and director.

Broadway producer, Max Bialystock and his accountant, Leo Bloom plan to make money by charming little old ladies to invest in a production many times over what it will actually cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

After failing to make it on Broadway, April returns to her hometown and reluctantly begins training a misfit group of young dancers for a competition.