The music video for English recording artist M.I.A.'s "Born Free" was directed by Romain Gavras. The video, which depicts a genocide against red haired people, was filmed in California and directed by Romain Gavras as a nine-minute short film without the prior knowledge of M.I.A.'s record labels.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
In this crime drama, a young woman leaves her unhappy life at home to become a sophisticated night club singer. Her first job is nearly fatal when she entangles herself with the mobsters who own the joint and learns too much about their operation. Her boss decides to kill her and make it look like suicide. An intrepid reporter disbelieves the report and exposes the truth to the public.
Amidst the hills of the ancient city of Mtskheta, an aging man nearing his hundredth year is forced to make way for a new road being paved through the blossoming garden of floral delights that he loves and cares for.
This abstract video art piece was made for the purposes of being a backdrop to a semi-improvisational three person dance piece and live spoken word monologue in collaboration with other artists of various fields. Blurring the line between tradition and creating something new- this work looks at the evolution of artistic practice. Hazy visuals enter the process of creative ideas with such art forms as dancing, drawing, and photography. At an audio standpoint, the score goes through a similar creation by being a recording of a guitar pluck being altered into an atmospheric synth and overlaid with field recordings of art making. The piece takes into account the various ideas and thoughts that go into artistry, and lead the viewer from the traditional aspects of preparation and through to the breaking of tradition to create something unique and personal to the artist.
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
Freeform is the first student film by artist Jacob Sizemore. The narrative follows a woman in a mask as she longs to be free. The video is set to the musical piece Reach by Jeremy Levin.
Jane Campion's "The Piano", Palme d'Or at Cannes in 1993, retold in a single minute of animation by Inés Sedan.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.
Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.
“Kim's nieces shot this video and Kim and I put it together for Kill Rock Stars' first VHS video comp. I guess we made it in the mid/late 90s. Always reminded me of a Sympathy for the Devil/Le Gai Savoir take on Tony Oursler's "EVOL" or something. Our master was on S-VHS. It's all we could afford.” —Katie Erdman
Ensemble for Somnambulists was a film Maya Deren made while teaching a workshop at the Toronto Film Society. It was never completed, and is officially "unpublished," but this title has been restored and it screens occasionally along with her other films. It is sort of a preliminary sketch for The Very Eye of Night. ~ David Lewis, Rovi
This animation is based on Stephen Coates composition under the same title. This film is about The Great Revolution of the British Cuckoos, who bravely took over London, forcing all the people to move inside the cuckoo clocks. Animation by Alex Budovsky. Music by "(The Real) Tuesday Weld."
At Apple Music, the new album is accompanied by a short film directed by Singh Lee, highlighting multiple songs from the new project as part of an Apple Music Film Edition of Imploding the Mirage.
Otto Baxter, a filmmaker with Down's Syndrome, directs and stars in this musical horror-comedy short based on his life, set in Victorian London.
This short animation is dubbed a "Paramount Screen Souvenir" is a lost Fleischer Studios Screen Song featuring Betty Boop and Bimbo.
"Gus Arnhein and His Coconut Grove Orchestra" is an agreeable short--and one of the earlier Vitaphone released. While the band is just about totally forgotten today, they had a nice sound and are a nice representative of the era. And, like most Vitaphone films of the day, the camera is mostly stationary and there are no fancy effects--just a straight recording of the act--which included several nice songs.
A guy is singing in the bathroom, his next door neighbor starts to complain, setting a chain of events in motion.
[Plot kept under wraps]