Pikk Street is one of the most important thoroughfares of Tallinn’s Old Town. The picture playfully combines hidden camera footage with more observational images, employing shots from unusual angles; these are accompanied by specific sounds and interesting musical themes. The result is a true cinematic adventure.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).
Belfast, it's a city that is changing, changing because the people are leaving? But one came back, a 10,000 year old woman who claims that she is the city itself.
"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."
Portrait of a waterpark.
An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.
"The Hart of London" is an endlessly layered tour de force. It explores life and death, the sense of place and personal displacement, and the intricate aesthetics of representation. It is a personal and spiritual film, marked inevitably by Chambers’s knowledge that he had leukemia. The late American avant-garde filmmaker Stan Brakhage said of Hart, "If I named the five greatest films [ever made], this has got to be one of them." Even this high praise falls short of hyperbole. The Hart of London is at the centre of Chambers’s extraordinary achievement.
Gubara was proud of the first color film in African cinema, which attempts to give an African response to the city symphony genre by capturing disparate images of daily life in Khartoum and setting it to music, particularly romantic Arabic songs.
The last days of summer captured on 16mm.
A "city symphony" film, produced to encourage Photographic Society of America members to attend their 1963 conference in Chicago, City to See is a surprising film. It combines footage of Chicago with a deadpan commentary that pokes fun commercial travel films: "Chicago is my town," the narrator says wryly, "and no other town will do." Conneely was awarded a special prize by the Photographic Society of America for this film.
Six lives intersect in a city symphony of chance encounters.
Compiled from stock footage, Livestock is a visual poem exploring the digital, physical and metaphysical synergy of the modern workplace.
Yo - a hard working salary girl loses her mouth.
Two friends travel around the city of Reno, Nevada, and go skating at a nearby parking garage.
A cherished remembrance of Fred Astaire and Ginger Rogers reunited for the film, "The Barkleys of Broadway."
Death is the great equalizer, if only due to the rites celebrated by the living. And thus, after their earthly existences ended, Ioannes Paulus PP. II. and Communist revolutionary-turned-politician Álvaro Barreirinhas Cunhal suddenly had a lot in common. Two funerals, one soundtrack. Lots of questions.
Homemade is the cinematic and profoundly intimate five-year journey with decorated Force Reconnaissance Marine, Adam Sorensen, and his wife, Victoria, as they navigate marriage and the effects of Post Traumatic Stress, Traumatic Brain Injury, and addiction.
Megha's Divorce