Eddie Kenner is given a special assignment by the Army to get the inside story on Sandy Dawson, a former GI who has formed a gang of fellow servicemen and Japanese locals.
Shozo is plagued by the needs of his ex-wife and his current one, but prefers the company of his cat.
Haruki Murakami is a successful family man and the head of a camera company. Unbeknownst to Murakami, his arrogant son oscillates between a mistress and a new lover who sings at a nightclub. When Murakami’s daughter befriends the mistress, the affair throws the family into turmoil.
The 224-minute compilation edition of Battles Without Honor and Humanity compiles these four movies: Battles Without Honor and Humanity, Deadly Fight in Hiroshima, Proxy War, Police Tactics.
Prostitutes in burnt out Tokyo ghetto of post-WWII Japan peddle their flesh and save one-third of their money for a proposed dancehall to be named Paradise. The hookers live in a bombed-out building, but they accept the precarious situation with typical resolve.
Based on the life of Hyakken Uchida, a Japanese author and academic. The film opens with Uchida resigning his job as a German professor at the onset of WWII. The story is told mostly in vignettes as he is cared for by former students in his old age.
In 1947, in Kobe, Japan, a local street gang fights for their survival when its turf is overrun by United States occupation forces and international gangs.
A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.
In the teeming black markets of postwar Japan, Shozo Hirono and his buddies find themselves in a new war between factious and ambitious yakuza.
The day to day life in an establishment for delinquent teenage girls.
Post-war Yokosuka, Kanagawa Prefecture. Adults who are swayed by the US military stationed in the country and swayed by US intentions cannot afford to care about children who should be protected. The war orphans, who had no choice but to survive on their own, were used to shining shoes for American soldiers, picking up cigarettes, and sometimes committing crimes. However, at some point, they came across a "cleaning" job. They work hard instead of committing crimes and earn money by being appreciated by people. The orphans begin to regain their smiles through experiences that make them feel like they should be alive. The children started to have a modest dream of "renting a house and living" with their own earnings, but they were attacked by an even harsher reality...
Set in post-war Okinawa, Japan, Gusuku had 3 close childhood friends: On, Yamako and On's younger brother Rei. On was the oldest of the group and he was like a leader to everybody else. He was also a heroic figure to them. On led his friends into the U.S. military base and they stole supplies to give away to the local residents. Everybody in the neighborhood praised On. One night, they entered the U.S. military based to steal supplies. During their raid, On was chased by U.S. soldiers and went missing. Years later, Gusuku now works as a police officer. Yamako is an elementary school teacher. Rei is a member of the yakuza. These three people are still unable to get over the disappearance of On. They chase after the truth behind On's disappearance and uncover a shocking answer.
Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's optimism and belief in dreams is able to lift Yuzo from his realistic despair.
Set in post-war Japan, The Lady of Musashino tells the story of Michiko, a disillusioned young woman trapped in a loveless marriage. She confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko's husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.
The lives of five sex workers employed at a Japanese brothel while the nation is debating the passage of an anti-prostitution law.
Just after WW2, a romance between an innkeeper and a man with tuberculosis unravels near a thermal spring.
A 28-year-old single woman is pressured to marry.
Michiyo lives in the small place Osaka and is not happy with her marriage; all she does is cook and clean for her husband.