The Seventh Day, the Eighth Night

Pasťák

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

A day in the life of Arnošt, a soldier staying in Josefov. A sense of desperation permeates the environment as well as the mind of the protagonist. It is sunday, and saturday left just a hangover. Days go by, nothing changes. A metaphor for the political situation in the Czech lands at a time where depicting a soldier as a drunk was considered out of place to say the least.

Král Ubu

Klec

Upon returning home from an official party, a Czech government official and his wife discover it bugged and surveilled by mysterious figures, driving them to paranoia and intensifying their discontents with one another.

Matylda (Jaroslava Ticha), who lives in the Czech countryside, is trying to arrange burial plans for her dying husband, Jan (Ludvik Kroner). While Matylda hopes to have a funeral for Jan in the small town where they once lived, there are complications. Years earlier, Jan spoke out against the Communist government and was consequently expelled from the town. When Matylda fails to convince a local politician to allow the ceremony, she uses her husband's funeral as a public show of dissent.

The Magpie in the Wisp

A run-of-the-mill family is terrorized by strangers dressed in military garb who invade their private realm.

Jan 69

This is a film about old fashioned Bulgarian customs and moral rules. A pre-arranged marriage of two children is no obstacle to true love.

Frivolous girl falls in love with a young construction worker. He trusts her and decides to include her in his team of workers. In the beginning, she is happy, but soon starts to feel the tensions between the people in the team. Hypocrisy and demagogy fill her with indignation and she does not keep silent about the shortcomings and mistakes of her colleagues. Gradually, her superiors become uneasy about her and the girl has to go. Her boyfriend offers her marriage, but she decides to take her own path and lead a worthy life. The movie was shot in 1966 but was censored by the communist government and released in theatres on 31st October 1988.

Impersonating a knight is one of the favorite games of nine-year-old protagonist. Now as Don Quixote, now as D'Artagnan he is fighting evil, he is searching for justice and defending the weak. Together with his friends, packed in cardboard armor, they play all day long. As he is playing, however, he unwittingly witnesses the relation between his parents and gradually comes to understand that the world of the adults is far removed from the canons of knightly honor. His parents love him, but never seem to find the time to listen to his concerns. The deceit, corruption and lack of respect in his own family alienate the small boy. The only adult, whom the boy trusts, is his uncle to whom he is attached by a genuine, equal, man-to-man friendship. He takes him to the cinema and theater performances and talks to him like with his peer. Will this sensitive kid ever succeed in building an internal armor against selfishness and rudeness?

Born in a small village, Yordan has to live and work in the nearby town. Only on the weekends can he return to his native village. He travels by a bike and observes the nature and the animals around him with overt sadness. In the village arrives a young pharmacist and she rents his house. Soon both of them fall in love. In order to be near her, Yordan tries to persuade his colleagues to move one of the workshops from the plant to the village. But they are all used to living in the town now and decline his offer. Yordan realizes that he cannot demand impossible things.

A surrealistic comedy-drama about a school shooting as seen through the eyes of a socially awkward college student named Jay. Walt Whitman, the shooter, is loosely based on Charles Whitman, but the film is not in any way a factual account of the 1966 shootings at the University of Texas.

There were times when stealing girls in these lands has been a worthy vocation, was a habit and a sort of custom in Bulgaria. Only the strongest and most experienced men took the profession up. A young and brave Bulgarian highlander was given the job to bring, no matter how, a certain beautiful girl to be married to somebody.

Boev, an enthusiastic form master, is trying hard to establish rapport with his final-year students. His frankness, buoyancy and good nature soon make him a universal favorite. The only one who does not approve of him is headmaster who loves his job, but is not aware of how dated his own views are and cannot understand the young teacher. Apart from this, Boev comes in into particularly sharp conflict with his colleague and childhood chum Kiril who is consumed by jealousy and the ambition to get promoted quickly.

Isobel Neiman, a former FBI agent turned cop, is assigned to catch a ballerina's murderer, but runs into resistance by fellow cops who don't think a woman detective can handle the case.

This is a psychological whodunit. The action is tense and there are many ups and downs. Vas, a young militiaman, has to pose as a ex-prisoner and infiltrate an international gang of smugglers at work in Bulgaria. Vas is involved in shady deals: in a web for smuggling drugs. The traffic in drugs is perfectly organized, every one along the chain is being checked up and shadowed. An elderly gentlemen, a harmless nuisance on the face of it, turns out to be one of the bosses. Vas's role as a double agent, in doing his efforts to become a trusted man among the dangerous criminals, faces him with many trials and he risks his life on several occasions. And no matter how strange it may appear, it is among these people that Vas meets the girl he falls in love with. A beautiful girl is tangled in the traffic web. She also falls in love with Vas. Just like the audience, the girl Sunny is not aware of the true personality of Vas in the racket.

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