The Morning Schedule

A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

Accused of a brutal murder by the people in their village, Oliver Isaacs and James Dean-Hughes set out to prove their innocence and catch the ferocious beast that they claim is actually responsible for the death of Oliver's fiancé, Stacey Charles. A small entourage including a documentary crew tag along on their nightly hunting trips but an escalating body count and rising tensions amongst the group look certain to destroy the fellowship even before they can locate the beast referred to by local legend as 'The Devonshire Devil'. "TORN: a SHOCK YOUmentary" is the product of the documentary film crew's findings. It is the tragic and terrifying story of how the lives of James and Oliver are torn apart by 'The Devonshire Devil'.

After 20 years of living in Washington, D.C., Mark Klein seeks much-needed solace by moving to the remote wilds of West Virginia. To ease his loneliness, he sends regular video updates to members of his OCD-support group back in the city. But Mark gradually realizes that despite his new, isolated setting, he may not be alone. From the endless woods surrounding his home, something else is watching.

A young man searches for the body of his sister years after her tragic disappearance.

True crime documentarian Olivia Brandreth was nine years old when her father disappeared. The official police statement was suicide though no body was ever recovered. Twenty five years later, Olivia has returned to her childhood home to finally get closure in an unrelenting attempt to set the record straight. Blue Hour chronicles the journey of a dedicated film crew in their search to figure out what really happened that night in 1997.

Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.

Surrealistic existential adventure to the depths of a life of a human-hare

A documentary crew travel to a remote village in England to capture the lives of notorious cult 'Friends at the End'. F.A.T.E were once a growing religion but, after a miscalculated doomsday prediction in the 1950s, membership has dwindled. In recent years F.A.T.E have been linked to disappearances of former members, the leader Daniel Love has gone into self-imposed exile, and this year their crops are failing. Except the potatoes. In need of money, the gang recruit new member Rachel, at a local rehab facility. Rachel breathes new life into the group and, when she turns the head of lifelong member Comet, old relationships begin to fracture. As the comet that F.A.T.E believe will bring with it the end of the world approaches, the group's beliefs are tested. New secrets emerge which threaten everything the cult has been working towards.

Fabián, a magician from Buenos Aires, saves his money from weddings, birthdays, and bar mitzvahs, and uses a hidden camera to document a week-long trip to the Falkland Islands where he has a patriotic plan: to impregnate a British woman. If 500 Argies do this annually, the islands will soon be overrun with children belonging to both cultures.

A team of South Australian filmmakers sought to tell the story of the Ashman family, a missing persons case that was never solved, and the answer found them.

Volume 1 of "Koji Shiraishi's Never Send Me, Please" with brand new footage added, not present in the theatrical version! Horror film director Koji Shiraishi receives a video of a young couple, Keisuke and Yuki, filmed in a dimly lit abandoned building that is rumored to be haunted. As they proceeded deeper into the ruins, Yuki suddenly disappeared without a trace. Keisuke panics and Yuki is finally found, a black shadow with a terrifying atmosphere swirls behind her. With Yuki now holding an old VHS tape in her hand. This VHS tape contains a horrifying and hair-raising video that took place in an abandoned village.

Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He somehow manages to survive with a help of women. He doesn't believe in anybody, respects no one and is in constant conflict with the ruling system and order. After being left by a silly American girl, Tom binds with a woman whose husband is abroad. When she kicks him out, he moves in with her husband's sister, who later kills him in the attack of jealousy. All this is shown in the context of major historical events prior to 1968. with lots of archive footage of world leaders.

A couple moves into a new house and observe a series of strange and possibly paranormal events that leads them to setup surveillance cameras, recording everything that takes place. The found footage reveals what took place.

A couple happens upon an old box of pornographic material in a closet. The box contains an evil spirit that is released once opened, reaping havoc on the family.

Seven snowboarders trek deep into the Cascade Mountains and become desperately lost as they are hunted by a school shooter.

A documentary filmmaker investigates the murder of a former model and finds that everything she's been told about her death is false.

Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?