Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
The audience takes a tour through a baby factory run by storks. Next, we're invited to follow the bouncing ball and sing along to "Pretty Baby".
In this Puppetoon animated short film (an Academy Award Best Short Subject, Cartoons nominee), legendary American folklore figure John Henry (voice of Rex Ingram) goes to work for the C&O Railroad, which shortly thereafter buys an automatic steel-driving engine, The Inky-Poo. John Henry matches his strength against the engine, saying that any man can beat a machine because a man has a mind. Can he prevail? In 2015 this film, deemed "culturally, historically, or aesthetically significant", was selected for preservation in the United States National Film Registry. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2009.
The world famous Coney Island in New York City, which got it's start in the 1840's is here included in Famous Studios, "Screen Song" series. The featured song is, By the Beautiful Sea, written in 1914, and is of the "follow the bouncing ball" variety. The song follows the slight story of animal characters(among them an elephant and mouse playing catch with a medicine ball)having fun at the beach.
As winter approaches, a variety of birds fly south to see a warmer climate.
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.
Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.
Whilst working on "the great South African novel," an unemployed writer gets caught up in the harsh realities of life in the city of Johannesburg.
Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
The film is based on a poem by James Weldon Johnson depicting the power of the southern black American preacher's telling of the biblical creation story.
An animation (long before there were such things) for Oscar Brown Jr’s track “But I Was Cool”, from his 1961 debut album Sin & Soul. Preserved by the Academy Film Archive in 2012.
An animated parody of television commercials and the television audience. Preserved by the Academy Film Archive.
On Christmas Eve, a lonely young boy, shut out from the shiny world of presents and holiday parties, peers into a candlelit window, where a gray-haired lady sits sadly at a bare table. Taking the last bit of bread and cheese from his pocket and adding wine, they share this meager Christmas dinner together. Preserved by the Academy Film Archive in 2012.
An ambitious singing and dancing cat in 1939 Hollywood overcomes several obstacles to fulfill his dream of becoming a movie star.
The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.