The Last Marranos

The true historical account of the Illuminati, exposing the actual rituals of the secret society, and answering the age-old question of whether or not the order still exists.

Três Realizadoras Portuguesas

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A contrast between two kinds of attitudes to gay liberation in Adelaide.

Rua de Santa Catarina, a street that was formerly home to dozens of local businesses and hundreds of Porto residents, now sees a crowd of tourists attracted by the cheap, disposable amenities that are popping up everywhere at once. Gentrification has decontextualized Portuguese culture, rendering the landscape uncanny. The Basin Woman, a symbol of the female workers of the historic Bolhão Market, is chased down by seagulls in the midst of this transcendent chaos.

Tongóbriga (El espíritu de un lugar)

Documentary film, without commentary, looking at events in Sheffield on 5th September 1973. Steelworkers retire, babies are born, there are fashion shows and council meetings, crashed lorries and policemen on the beat.

Il n'y aura jamais assez d'images

In this powerful new documentary, criminologist Dr Graham Hill, a former senior Met detective who was in Portugal during the early stages of the investigation assisting local police, returns to Praia da Luz for the first time. Revisiting the scene of her disappearance, unpicking Brueckner’s criminal history in both Portugal and Germany and meeting those who knew him to build a detailed offender profile, Dr Hill examines the case against the man who remains the prime suspect- and who has consistently denied any involvement in Madeleine McCann’s disappearance.

Documentary on career criminal Jack Black during an episode of burglary in Victoria BC. Locations around Victoria and Vancouver are explored in present day, with narration from Black's autobiography.

Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.

Film Noir burrows into the mind; it's disorienting, intriguing and enthralling. Noir brings us into a gritty underworld of lush morbidity, providing intimate peeks at its tough, scheming dames, mischievous misfits and flawed men - all caught in the wicked web of a twisted fate.

For a long time, in France, comedy was the preserve of men. Female roles were mostly secondary and corresponded to stereotypes such as the pretty doll, the funny but unattractive woman, or the troublesome, even cantankerous wife

Во имя живых

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

Lágrimas rojas

A documentary about the United States Military Academy at West Point that conveys the vibrancy, sense of fraternity and fierce loyalty that mark the West Point experience.

William Wolff is nearly 90 and perhaps the most unconventional rabbi in the world. As the State Rabbi of North-East Germany, he looks after the Jewish Communities in Schwerin and Rostock, but still lives in a bungalow near Henley-on-Thames. Midweek he usually flies from Heathrow to Germany. After the services on Saturdays, he either makes his way home or on a leisure city trip. His annual highlight is betting at the Horse Race of Royal Ascot and joining a fasting-retreat in Bad Pyrmont. Willy Wolff leads a Jet-Set-Life, which he actually cannot afford, but dealing with money isn't one of his strengths. Naturally, that occasionally leads to quite temporal conflicts. Rabbi Wolff is the portrait of a fascinating character, a deeply religious man who, blessed with a tremendous joie de vivre, defies all conventions. More than that, it gives insight into the world of Judaism and introduces us to a uniquely German biography.

The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.