Divine Horsemen: The Living Gods of Haiti

An underwater exploration beneath kelp forests in the Pacific Ocean off the coast of Southern California. The film captures the birth of a shark, squids mating, a lobster molting, a fish protecting its nest from an octopus and a sea urchin, and the sea bed covered with brittle stars.

Out of State is the unlikely story of native Hawaiians men discovering their native culture as prisoners in the desert of Arizona, 3,000 miles, and across the ocean, from their island home.

From Belgium, Jialai Wang maintains contact via smartphone and camera with her mother and grandmother in China. When her grandmother’s health deteriorates, Jialai returns to Shanghai, but when she arrives, her grandmother has already died, and she is left alone with her mother. A devout Buddhist, her mother seems to pay more attention to her daily prayers, Maoist past and dog Dongdong than she does to her daughter. She herself had been abandoned as a child by her own mother, when she divorced Jialai’s grandfather and moved to the city.

This lively documentary explores the rise and fall of physical media from the origin of film all the way through the video store era into digital media, focusing on B-movie and cult films. With icons like Joe Bob Briggs (MonsterVision), Lloyd Kaufman (Toxic Avenger), Greg Sestero (The Room), Debbie Rochon (Return to Nuke 'Em High), Deborah Reed (Troll 2), Mark Frazer (Samurai Cop), James Nguyen (Birdemic) and many others.

American academic Norman Finkelstein discusses foreign policy toward Israel and the Middle East.

Gouge - a documentary tracing The Pixies' story featuring interviews with Bono, David Bowie, Thom Yorke and Jonny Greenwood (Radiohead), Graham Coxon and Alex James (Blur), Fran Healy and Andy Dunlop (Travis), P J Harvey, Tim Wheeler (Ash), Gavin Rossdale (Bush) and Badly Drawn Boy.

A man confronts the trauma of past sexual abuse as a boy by a Catholic priest only to find his decision shatters his relationships with his family, community and faith.

In this revealing documentary, burlesque star Immodesty Blaize examines the world of British burlesque and the resurgence in its popularity.

Join critically-acclaimed author and evolutionary biologist Richard Dawkins and world-renowned theoretical physicist and author Lawrence Krauss as they discuss biology, cosmology, religion, and a host of other topics.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

Tells the story of the rise and fall of Michael Alig, a kid from Middle America who aspired to take the place of Andy Warhol. Michael quickly rose to become the biggest party promoter in New York and King of the so-called Club Kids. But after spiraling into drug addiction, Michael brutally murdered his roommate Angel Melendez.

In 2007 the legendary American duo White Stripes toured Canada. Besides playing the usual venues they challenged themselves and played in buses, cafés and for Indian tribal elders. Music video director Emmett Malloy followed the band and managed to capture both the special tour, extraordinary concert versions of the band's minimalist, raw, blues-inspired rock songs and the special relationship between the extroverted Jack White and the introspective Meg White - a formerly married couple who for a long time claimed to be siblings. The film makes striking use of the band's concert colors: red, white and black.

The lives of Jaipong dancers who persistently uphold tradition amidst economic pressures and changing times. Through their moving bodies and distinctive voices in traditional performing arts, these women dance not only for the stage but also to survive. Their voices, whether vocal expressions, soft utterances, or sinden singing, serve as the living spirit and "voice" that sustain and preserve their cultural heritage. An intimate portrait of resilience, steadfastness, and the voice in traditional arts that is gradually being marginalized.

This program has been designed specifically to help people with no previous knowledge of Jesus to have a better understanding of who He is.

Follows the repercussions of the Israeli Security Wall and Settlement expansion in the engulfed/annexed Palestinian farming communities of the West Bank and the Gaza Strip, examining the grassroots resistance movement that sprang up against it. An interminable road trip across hard and liquid borders, across a terrain that is being erased as it is being traversed.

Julia Sweeney's third autobiographical monologue, Letting Go of God takes the audience through her Catholic upbringing and how personal events in her life and that of her family led her to a disbelief in a personal universal deity.

Filmed over four years, this documentary focuses on the impacts of gentrification as gay white professionals move into a largely black working-class neighborhood in Columbus, Ohio.

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

At age 20, Guillaume Diop risked his career to sign a manifesto against racism at the Paris Opera. But just three years later, he was named a Danseur Étoile — a star dancer — in the Paris Opera Ballet, one of the world’s most prestigious companies. As the first Black Danseur Étoile, Guillaume is thrust into becoming a role model and a national symbol for diversity. But, as YOUNG, BLACK AND GIFTED shows us, in intimate conversations with family and friends, he sometimes questions whether he is ready for this responsibility.

This is a survey course designed to further stimulate your curiosity by providing glimpses of some of the pivotal events in the spread Christianity and sketches of great Christian figures who have significantly affected Christian history thereby shaping the history of the world