The Sannikov Land

This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

The darkness of the mine, invaded by the miners' light, by the noisy machines and the permanent and intense smell of ore in the air, leads us to an environment in which time and space become confused. A documentary film at Panasqueiras' Mine, between 2008/09. A reality captured by an eye-observer which does not interfere, but follows the compost that grows from the earth and is decomposed by man-machine.

Divoké kmeny Etiopie

This short-length documentary takes us to Agadir, a city in Morocco that was struck by an earthquake in 1960. The film, made by an expatriate Moroccan who lost family and friends in the disaster, is a memorial to that tragedy and to the past he left behind when he came to North America. Partly allegorical, it employs varying techniques to offset reality from fantasy sequences.

Although it crosses six countries and is over 3,500 kilometers long, the Zambezi is one of the least known rivers in the world. So it's time to take to the water and discover this mystical, ever-changing river, whose mood changes from day to day, kilometer to kilometer, and which is the very essence of life for millions of animals and people in this often drought-stricken, water-scarce region!

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg

Echoes from the Tian Shan

Domažlicko

Krušné hory.

Antártica: O Continente dos Extremos

This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.

Experimental ethnographic digital feature exploring International student and teacher identity expressed through musical performance at the University of Jinan, Shandong, China.

An ethnographic documentary following the Folia de Reis party that is celebrated every year at Morro de Santa Marta on Rio de Janeiro.

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

Physical features such as gulf, peninsula, island, etc, are defined and basic principles of using colors to show elevation are illustrated with models.

The people and their labor are bound to the land in the cycle of activities to the sowing to the harvesting of wheat. Without narration or subtitles, the film conveys a sense of unity between the people and the land. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul. The theme of the film focuses on rural economics. The film and accompaning instructor notes focus on herding, and fishing under diverse environmental conditions. The impact of technological change, human adaptation, and governmental extension of market systems are parallel themes.

'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.

Take an unprecedented visual journey into Planet Water. Water Life captures extraordinary locations and intimate animal behavior never before seen on film. Two years in the making, this groundbreaking series takes viewers on an unprecedented visual journey to aquatic ecosystems on five continents to reveal how water shapes and sculpts the landscape and provides food and refuge for an astonishing array of species. This epic series tells water's story as never before to engage viewers in vital discussions about how water must be conserved and preserved. Learn the impact of climate change, pollution and other factors that are changing the environment and affecting each and every one of us.