Mondo Strip

Sexy comédie : Une brève histoire de l'érotisme à l'italienne

The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

A filmed burlesque show, staged at the El Rey Theater in Oakland, CA.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

Hunks in Hedonism

Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.

A collection of nude and/or topless scenes from various films featuring actresses who were either famous at the time or who became famous later on.

In this provocative movie, Playboy shows you and your partner 101 ways to achieve heightened levels of sensuality and discover the ultimate in lovemaking pleasure. Through a deep exploration of sensory experiences, attractive couples demonstrate a series of creative ways to enhance your erogenous zones. By mastering these tantalizing techniques, you’ll add a new dimension to your shared sensual experiences that will excite you and your lover for a lifetime.

In recent years, stories of older British women hooking up with younger Gambian men have made news headlines, from one-night stands to whirlwind weddings. But what's the truth behind the stories? Seyi Rhodes investigates.

A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

The story of the birth of the exploitation of wild animals, the fruit of the iron twinning between the Industrial Revolution and the omnipotent and arrogant logic of colonialism, told through the multiple tribulations of Fritz, an Asian elephant who, one hundred and fifty years ago, worked in the largest circus in the world.

Join John Cross and the Hot Body gang as they do it again at Deja Vu Showgirls in North Hollywood. The Beverly Hills Covergirl Model Contest turns into an all nude affair offering unbelievable new talent, as beautiful "Covergirls" display their centerfold quality talents. Watch as 14 exhibitionists show off everything they can and enjoy 8 soothing private dances from Alex, Kandi Kane, Peggy, Michelle, Gina, Shelly Jones, Cleo and Sofia. Go backstage for more revealing action than you can dream. Go online and match your picks with the judges. It's a front row seat to a very amazing contest.

(Pseudo) documentary film about sexual life in the late sixties and early seventies, from the series of Oswalt Kolle's sex education films that caused scandals in the late sixties and early seventies.

A very human tech doc, uncovers the real costs of the platform economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo. From delivering food and driving ride shares to tagging images for AI, millions of people around the world are finding work task by task online. The gig economy is worth over 5 trillion USD globally, and growing. And yet the stories of the workers behind this tech revolution have gone largely neglected. Who are the people in this shadow workforce? It brings their stories into the light. Lured by the promise of flexible work hours, independence, and control over time and money, workers from around the world have found a very different reality. Work conditions are often dangerous, pay often changes without notice, and workers can effectively be fired through deactivation or a bad rating. Through an engaging global cast of characters, it reveals how the magic of technology we are being sold might not be magic at all.

Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.

« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.

A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.

This 1981 video magazine “For the Man Who Wants More…” contains Monte Hellman’s short portrait of Francis Ford Coppola discussing business and craft at home and on the set of his Zoetrope Studios, “Inside the Coppola Personality” (aka “Coppola: A Profile”). Also inside is “Modesty”, a self-portrait by Bob Rafelson, shot by Bruno Nuytten; a portrait of a pubic hair dye specialist; a travelogue on Bangkok; a candid camera with a planted hussie at a gas station. a.o.