Kun onni pettää

A Spanish soldier falls under the spell of a fiery gypsy girl named Carmen. His obsession with her leads to his ruin.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

Photoplay and Direction by Charles Busch

Two men who have been friends for quite some time and who live in different cities maintain a correspondence with Super 8 film reels that they occasionally send to each other. One of these film reels shows a woman who reminds the addressee of a former girlfriend. Immediately and without paying attention to his obligations to the company, he drives the company car to the city of his childhood friend, 780 km away. There he finds out that she has been the secret lover of his Super 8 friend for years. After about three or four weeks, which they spend on the coast of another country without any significant difficulties, the lover of the childhood friend rows his boat alone across the Atlantic after an obviously frame-up rescue operation.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

Danny O'Rourke is the son of a police officer who was killed in the line of duty. Eager to join the police force, Danny fails his exams. The failure causes him to neglect his sweetheart Maggie, whose father is a police lieutenant. His attentions turn instead towards society girl Miriam Welton. When Danny’s sister, Shannon, is arrested for shoplifting, Danny turns to boxing to save her. He works his way towards the championship but discovers the final bought has been rigged. Danny fights anyhow and he is beaten, but it is discovered that a mistake had been made on his exams and he actually was eligible to join the police force after all. Considered a lost film.

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

A man with an umbrella emerges from his grave to be momentarily reunited with his lost loved one.

Los opositores

The tale of an individualist proletarian in a time marked by the rise of mass political movements. In early 20th-century Italy, illiterate sailor Martin Eden seeks fame as a writer while torn between the love of a bourgeois girl and allegiance to his social class.

A working-class love story set in and around the London Underground of the 1920s. Two men – gentle Bill and brash Bert – meet and are attracted to the same woman on the same day at the same Underground station. But the lady chooses Bill, and Bert isn't the type to take rejection lightly...

A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time...

An upper class melodrama.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.

An entire city has lost its voice. Mr. TV, the owner of the city's only television channel, is carrying out a sinister plan to control all of the city's inhabitants.

Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

In the near future, an isolated man is tortured by his beloved memories.