Growing up in Masbate Province in the Philippines, Jary is neglected and shunned since the moment of his birth for one reason-- his appearance. His older sister, Jessa protects Jary through his early years, then takes him in as a young teen, to raise him alongside her own two children in a fragile house on a hill. Jessa seeks out the medical care Jary has been denied since birth. And more, the support to begin his physical and emotional recovery. Every Day After is a 35-minute documentary film that provides a more nuanced look at the complexities of the healing process we don’t often see. And honors the invisible labor of a sister whose love and action make it possible for Jary to experience the everyday joys and struggles of growing up.
In this powerful tale about the rise of Korea’s global adoption program, four adult adoptees return to their country of birth and reconnect with their roots, mapping the geographies of kinship that bind them to a homeland they never knew.
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
In this somewhat whitewashed documentary on Manhattan's Bowery a newcomer to the area takes his first step toward redemption after a meal, bed, and inspiring talk.
In China more people are on death row than the rest of the world combined. The children of the convicts are often left alone, stigmatized and living in the streets. Grandma Zhang, as the kids call her, is a former prison guard who has founded an orphanage in Nanzhao.
Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe.
An account of a young Italian boy who was taken in by a Canadian military unit during World War II.
A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.
La Babel des enfants perdus
In this John Nesbitt's Passing Parade short, a look is taken at the problems of film preservation efforts in the 1930s and early 1940s.
This John Nesbitt's Passing Parade series short highlights the film preservation efforts of the Museum of Modern Art in New York. Several scenes from early newsreels are shown.
Diary of an Elephant Orphan takes us through the struggles and turmoils of orphaned baby elephants and the people who have made it their life's mission to save them. Khanyisa is the newest addition to the elephant sanctuary.
Tunahaki is the extraordinary story of nine gifted orphans who are acrobats. We follow their journey as an American volunteer takes them from Africa to study with Cirque du Soleil in Las Vegas. They end up touring the States and raising hundreds of thousands of dollars, more than enough to build a permanent home. But how have the kids' experiences in America affected them? And how will it change things back home in Tanzania? Tunahaki's heartfelt journey gives us something new to ponder as we reach across the world to help those less fortunate—is it always the right thing to do?
Part of John Nesbitt's Passing Parade series, this short shows how three seemingly unimportant things can affect people. The first is how the number 7 affects a student accused of theft charges. The second segment shows that a person's doodles can reveal personality traits. The final segment shows why certain items are on men's suits, such as lapels.
The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.
Nearly 250,000 South Korean children were adopted to the West as “orphans” in the 60 years following the Korean War. Some to loving homes. Others to tragic ends. Raised in places where they looked like nobody else, many were told to forget their past and be grateful. But the innate desire to understand where you came from has led many Korean adoptees to search for their roots. In the process, they discover lies in their past and families they never knew existed. In this documentary series, correspondent Wei Du travels around the world to meet Korean adoptees and accompany a few on their journey to reclaim who they are. Together, they reveal how an “orphan rescue” mission separated families and erased the roots of hundreds of thousands.
Second Chance tells a story of Ukrainian orphaned children and the Canadian volunteers who spend their summers working along side them. The film follows first time volunteer and filmmaker, Adriana Luhovy, as she learns about the children and becomes witness to their strengths and resilience. Converging in Yaremche in the Carpathian Mountains of Ukraine, over 500 orphaned children come together from all over the country. At first quiet and fearful, they learn to trust one another and their counsellors. By countering heartbreaking statistics - 60% of orphaned girls are trafficked within the first year of leaving the orphanage; 50% of boys end up in jail; 10% commit suicide - the volunteers are dedicated to making a difference in the lives of orphaned Ukrainian children.
This John Nesbitt's Passing Parade short takes a look at the evolution of the American city, from the initially small farming village, to the eventually hectic, congested metropolis, to the future planned suburban community.
A "Passing Parade" MGM short featuring tennis star Alice Marble
Since the fall of the Iron Curtain an estimated four million children have found themselves living on the streets in the former countries of the Soviet Union. In the streets of Moscow alone there are over 30,000 surviving in this manner at the present time. The makers of the documentary film concentrated on a community of homeless children living hand to mouth in the Moscow train station Leningradsky. Eight-year-old Sasha, eleven-year-old Kristina, thirteen-year-old Misha and ten-year-old Andrej all dream of living in a communal home. They spend winter nights trying to stay warm by huddling together on hot water pipes and most of their days are spent begging. Andrej has found himself here because of disagreements with his family. Kristina was driven into this way of life by the hatred of her stepmother and twelve-year-old Roma by the regular beatings he received from his constantly drunk father. "When it is worst, we try to make money for food by prostitution," admits ...